AD Architectural Digest Germany Juli/August 2021

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AD Architectural Digest ist die deutschsprachige Ausgabe einer Zeitschrift für Inneneinrichtung und Design aus den USA, wo Architectural Digest seit 1920 erscheint. Die deutsche Ausgabe erscheint seit 1997 bei Condé Nast Germany.

Details

Weight:	0.55 kg
Published:	2021
Language:	German
Origin:	Germany
Pages:	172
Frequency:	monthly

Hochparterre – 6-7/21

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Juni/Juliausgabe 2021

Ohne Güter keine Stadt
Das Güterverkehrsprojekt Cargo sous terrain bringt die Schwächen der Versorgungsinfrastruktur ans Licht. Der Tunnel ist nicht die Lösung, aber eine Chance.

Das letzte Hemd neu denken
Gestaltung klammert meist die finale Lebensphase aus. Die Designforscherin Bitten Stetter untersucht, warum das so ist – und wie es sich ändern lässt.

Genfer Theaterdonner
Die Comédie de Genève ist eine neue Theaterfabrik mit Bahnanschluss. Der explosive ‹Rapport Langhoff› hat dafür vor bald 35 Jahren den Grundstein gelegt.

Kein Torkel in der Grünzone
Das Bundesgericht sagt Nein zu einem neuen Torkel von Peter Zumthor für ein Weingut in Malans. Es fällt damit ein Leiturteil für die Raumplanung.

Klimaschutz im Freiraum
Die Landschaftsarchitektur ist dazu prädestiniert, klimatische Anforderungen und gute Gestaltung zu vereinen. 46 Anregungen an die Disziplin – von der Raumentwicklung bis zum Materialeinsatz.

Die Realität ist zu komplex
Mit ‹Transport Fever 2› feiert die Computergame-Schmiede Urban Games aus Schaffhausen international Erfolge. Im Spiel geht es um Verkehrsplanung, Simulation und Partizipation.

Dialektik des Holzbaus
Nach dreissig Praxisjahren führt Walter Schär den Beweis, dass man mit Holz nicht nur gut, sondern auch günstig bauen kann. Pragmatik und ein Raumraster machen es möglich.

Der Natur abgeschaut
Biodiversität und Ökologie sind Schlagworte, die uns täglich begegnen. Nun haben Hobbygärtner die Permakultur entdeckt. Ein Ansatz auch für die Landschaftsarchitektur?

«Leantech ist das Gebot der Stunde»
Die Klimastreik-Bewegung fordert mit dem Climate Action Plan (CAP) ein Umdenken. Was sagt der oberste Gebäudetechniker der Schweiz, Adrian Altenburger, dazu?

Details

Weight:	0.3 kg
Dimensions:	24 x 31 cm
Pages:	76
Published:	2021
Language:	German
Origin:	Switzerland

AD Architectural Digest France Mai/Juin 2021

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Architectural Digest, votre source référence en matière de Décoration, d'Architecture, d'Arts et Design.

Details

Weight:	0.5 kg
Published:	2021
Language:	French
Origin:	France
Pages:	172
Frequency:	bimonthly

AD Architectural Digest USA – May 2021

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Architectural Digest is a vibrant monthly celebration of international design talents, innovative homes and products, inspiring decorating ideas, culture, and travel. Launched in 1920 as a California trade quarterly, the magazine evolved over the years, increasing in frequency and broadening in scope until it became the byword for living well. Today AD publishes nine international editions, and its brand has immeasurable influence in the world of interior design.

Details

Weight:	0.3 kg
Published:	2021
Language:	English
Origin:	USA
Pages:	128
Frequency:	monthly

Damn° – Issue 78

SFr. 22.00

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DAMNº 78 – Let's Get Real!

Mid-covid-19, we’ve all come crashing into a devastating existential moment; a vulnerability is rendering our favourite tools-for-communicating like irony, for example, somehow wrong. But what does it take to overcome the cultural pull, What does it take to say what you mean, and even more poignantly mean what you say? What does it take to get real?

In the Let’s Get Real issue of DAMNº 78 we look to designers, artists, architects, film-makers and curators who not only say it as it is, but who seem to be prioritizing what is immediate and actual; who seem to shun the irony virus in favour of work that’s informed by more subtlety than narcissism.

And even though so many of us have been confined to varying degrees of lockdown over this past year, developments in #blacklivesmatter, environmental-intersectionalism, and #metoo have successfully paved some real cultural shifts – new ways of thinking that move beyond woke hashtags and into institutional power structures. Reality is changing and it was earnestness, not irony that got us here.

DYSNEY, TA REAL FAIRY STORY, words by Saskia van Stein

From its animations to theme parks and cruise holidays, Disney is an immersive experience. You are in the world of Disney, a world of wholesome wonder. The forthcoming exhibition at Het Nieuwe Instituut in Rotterdam, Disney – The Architecture of Staged Realities, applies critical thinking to a fully designed identity that not everyone gets an invite to experience. It also asks whether now is the time to imagine alternative futures, can we learn from Walt Disney’s “belief that imagination is the model for reality?”

As a skilled wizard, Walt Elias Disney (1901–1966) manufactured environments to trick us into believing in his temporary getaways. Through the production of enchanting characters he told fantastical stories, all animated in the sheltered space of the cinema. Later his feel-good universe leapt into reality via his constructed architectural environments and gated communities, all staged realities that blended symbolism and nostalgia while speaking of alternative futures...

THIERRY GEOFFROY—A Mental Workout, words by Harriet Thrope

"Knowing what I know makes me a monster." Think about it. This is one of the slogans that arose from artist Thierry Geoffroy's, aka Colonel, Apathy Lab. Using a series of what he calls art formats, they are open and reactive tools to debate and critique. The news, curation and themes of biennales... Everything gets a mental workout.

In the midst of the global pandemic, museums have closed and biennales have been postponed. But have they done enough to support their communities through this time? And, pandemic aside, are art world institutions responding fast enough to our rapidly changing world?

Holding them accountable is Thierry Geoffroy, aka Colonel. The French-Danish, Copenhagen-based conceptual artist prides himself on being annoying, and pandemic or no pandemic, he is not letting curators, institutions and galleries off the hook. As a professional protagonist and art world rogue, his work encourages public expression and outrage...

DAVID CHIPPERFIELD—The Loose-Fitting Suit of Architecture, words by Will Wiles

What was your March like? Less sluggish than February? It’s not a characteristic you could apply to David Chipperfield Architects. Last month the planned handovers of Berlin’s Neue Nationalgalerie and the new extension building of Kunsthaus Zürich were announced, other museums are near completion… Oh, and Chipperfield has been gonged by Queen Elizabeth II and is now her official “companion”. Here he talks about those lengthy and delicate projects, and why the words and sentences of a novel can be seen in the same light as architecture.

“Maybe a generation before I might not have been so enthusiastic,” David Chipperfield says, reflecting on the stroke of fortune that transformed his architectural career. “In fact a lot of my contemporaries might not have been salivating at the opportunity.” ...

GUS VAN SANT—A Hustle on the Catwalk, words by Charles Bramesco

Since the late 80s Gus Van Sant has been directing movies that have resulted in cult classics and box-office pullers. A film is a film for him regardless of the budget and he doesn’t wear a storytelling straightjacket. Van Sant has now collaborated with Gucci on a seven-part film titled Ouverture of Something That Never Ended, but before you cry “sell out”, for him it’s more just another experiment. DAMN° spoke to Van Sant about this latest project, his directorial career, and his fanhood for 24-hour rolling news channels.

Making a movie with a basis in reality is a losing game, but that hasn’t stopped scads of film-makers from trying. Adhere faithfully to the record, and the work starts to take on a book report’s matter-of-factness, calling the necessity of the artistic representation into question. Exercise some creative licence, and nitpicking detractors will come out of the woodwork to levy accusations of distorting the truth...

Archistorm – Issue 108

SFr. 14.00

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Magazine ARCHISTORM numéro 108

ACTUALITÉS

PANORAMA
FOCUS
SIÈGE DE L’URSSAF, ANNE CARCELEN, ARCHITECTE URBANISTE, PARIS 19E
EXTENSION DE L’AILE SUD DE L’AÉROPORT INTERNATIONAL D’ATHÈNES, ALEXANDROS N. TOMBAZIS
AND ASSOCIATES ARCHITECTS | AVW ARCHITECTURE, ELEFTHERIOS VENIZELOS À SPÁTA (GRÈCE)
INSTITUT DE CHIRURGIE GUIDÉE PAR L’IMAGE, PATRICK SCHWEITZER & ASSOCIÉS, STRASBOURG
RÉALISATION
CINÉMA LE GRAND PALAIS, ANTONIO VIRGA ARCHITECTE, CAHORS
CAMPUS DUCASSE, ARTE CHARPENTIER ARCHITECTES, MEUDON-LA-FORÊT
TOUR IBOX, POÉSIE RADICALE, DTACC ARCHITECTES + DATA, PARIS 12E
CLINIQUE SAINT-JEAN SUD DE FRANCE, A+ARCHITECTURE, SAINT-JEAN-DE-VÉDAS
PORTRAIT D’AGENCE
ORIGIN.ARCHI, PARIS
EXPÉRIENCE HÔTELIÈRE
LE BALLU… CHON DE THOMAS VIDALEN, HÔTEL LE BALLU, THOMAS VIDALENC, ARCHITECTE, PARIS 9E
ARCHITECTURE D’INTÉRIEUR
VIVE LA VIE, MICHAËL MALAPERT, MAISON MALAPERT

POINT DE VUE

TRIBUNE LIBRE ARCHITECTURE
POUR LA CONSERVATION DE LA MISSION EXÉ, JEAN-FRANÇOIS PÉRINET-MARQUET, AP-MA ARCHITECTURE
BLOCKBUSTER
LACATON & VASSAL, PRITZKER PRIZE 2021, L’HUMILITÉ INTELLIGENTE
TRIBUNE LIBRE MATÉRIAUX
AGENTM, MATÉRIAUTHÈQUE & MATÉRIAUX : ACCUMULATION, POLYVALENCE, RECYCLAGE ET SOURCING

PRODUITS

ENTRÉE EN MATIÈRE
L’INNOVATION EST UNE QUÊTE
RÉPONSES D’EXPERT
RODRICK CARRASCO, DIRECTEUR GÉNÉRAL DE LAUDESCHER
INSPIRATION PRODUITS
REVÊTEMENTS EXTÉRIEURS
HISTOIRE DE MARQUE
MARIUS AURENTI
ETERNO IVICA
MADE IN DESIGN
POP & MOON

DÉCRYPTAGE

CHRONIQUE
UNE HISTOIRE DES GARES EN FRANCE, CHAPITRE 2 : LES GARES FRANÇAISES À L’EXPORT
DOSSIER SOCIÉTAL
L’AGRICULTURE URBAINE : VERS DE NOUVELLES SOCIABILITÉS
PATRIMOINE
AU TEMPS DES ARTISTES DÉCORATEURS
CRÉATION
UNIQUE
ART & ARCHITECTURE
PIERRE WEISS, [E.LA.STIK]
MANIFESTATIONS

Site Magazine – Series 1 / Volume 1

SFr. 24.00

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Series 1 / Volume 1: HEALED OUTCOMES

“Healed Outcomes” is a symbolic issue for The Site Magazine. It marks a break from our past and the numeration we have used for the last twenty years, and initiates our first series. This series will be published over the next three years and each issue will build on those preceding to explore how architecture can address today’s most pressing challenges. This first issue has long been in the works. Influenced by our discussions with Juhani Pallasmaa, who writes, “We are in constant dialogue and interaction with the environment, to the degree that it is impossible to detach the image of the self from its spatial and situational existence,” it was clear to us that the inextricable relationship between space and consciousness was a natural starting point for any ongoing discussion about architecture’s role in the world. Without question, the offering of spaces for individual and collective healing is a role that architecture has maintained over time and across cultures.

The Site Magazine is an independent journal that addresses diverse issues pertaining to our built environment. Through a range of writing types, design projects, and visual formats, each issue advocates for a critical consideration of the layered relations of our built environment posed from varied perspectives, including the cultural, political, formal, social, and ecological.

Founded in 2015, The Site Magazine is a collaborative, dynamic project driven by a shared commitment and passion for fostering debate as a way of progressing community and practice.

We are particularly interested in offering an interdisciplinary platform to explore the agency of designers and aligned professionals in bringing change, advocacy, and engagement beyond the limits of art and design. We encourage debates that engage the politics, cultural relevance, and social implications of the work that we do, and that confront issues of equality and representation.

We publish thematic issues twice a year. Each issue has both a print and digital form, allowing for a range expressive formats and a nuanced dialogue across both outlets. Along with The Site Magazine, we host public events—including roundtable discussions, exhibitions, and talks—to expand the discussions of each issue to a broader audience. Issues are grouped within series that are defined by a broader perspective.

Series 1, containing volumes 35–40, explores a range of scales and frameworks for understanding our built environment through the themes of Borders, Vernaculars, Future Legacies, Feminisms, Foundations/Disruptions, and Devices. This series continues the enumeration of On Site Review, making The Site Magazine the latest iteration of Canada’s longest running, independent journal for architecture and urbanism.

Openhouse – Issue 15

SFr. 25.00

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Openhouse - Issue 15

That Which is Handed Down

In this issue we reflect on the idea of heritage, a word built on concepts of ownership and value. We encounter the legacy of Luis Barragán in Mexico City, and feel the sorrow on Benjamin Clementine’s voice when singing about his childhood and fatherhood. We visit Atelier Vime, where traditional wickerwork takes on a new life, and then explore the universe of the Artigas family at Fundació Josep Llorens Artigas, where a dynasty is devoted to art, generation after generation.

Openhouse – A Lifestyle & Culture Magazine – is a guide to creative people around the world who open their homes and private spaces to the public to share cultural activities and experience life together.

Our readers work as designers, creative directors, architects and photographers, entrepreneurs, marketing managers, journalists & editors.

As studio, Openhouse collaborates with brands to produce exclusive designed products, brand photography for marketing and content, and a range of events to bring our readers and the brands together.

Hochparterre – 5/21

SFr. 18.00

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Maiausgabe 2021

Kegel regelt
Mit viel Gespür und wenig Technik macht Beat Kegel Gebäude effizient. Bei ihm werden Räume zu Luftkanälen und Decken zu Speichern. Ein Haus(technik)besuch.

Was die Welt verbindet
Geklebt oder geschweisst? Oft sieht man nicht, wie die Dinge zusammenhalten. Mit der Ausstellung ‹U–Joints› blickt das Gewerbemuseum nun auf die Welt der Verbindungen.

Möglichkeiten zeigen statt hoffen
Eine Testplanung in der Baselbieter Gemeinde Aesch zeigt, wie ein Dorfzentrum entwickelt werden kann und wie die kantonalen Bau- und Raumgesetze revidiert werden müssen.

Holztakt und Industriemelodie
Die Wohnüberbauung ‹Krokodil› verdichtet das Sulzer-Areal in Winterthur mit industriellen Referenzen. Holz gibt die Struktur vor, bleibt aber im Hintergrund.

Hört euch das an!
Der Athener Christos Chryssopoulos lauschte auf seinen Spaziergängen den elektromagnetische Strahlungen von Zürich und erlebte eine Symphonie der Grossstadt.

IPA statt IBA
Wurde im Rahmen der IBA Basel 2020 zu wenig gebaut? Die Bauausstellung war eher Internationaler Planungsalltag. Sie kurbelte den Dialog und die Planung ohne Grenzen an.

Ab auf den Kompost
Mit seiner Idee von biologisch abbaubarer Medizinalbekleidung will der Produktdesigner Benjamin Bichsel das Abfallproblem in Spitälern angehen.

Ein Rohling am Adlerplatz
Von der Bruchbude zum Haus fürs Dorf: In Beringen bei Schaffhausen sind Marazzi Reinhardt Architekten auch Entwickler und Handwerker. Da überzeugen selbst die Lichtschalter.

El Croquis – Issue 207

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N. 207 Estúdio Gustavo Utrabo 2015 2020

Gustavo Utrabo (Curitiba, Brazil, 1984) graduated in Architecture and Urbanism from the Federal University of Paraná in 2010. He has participated in conferences and in various events at institutions such as the GSD in Harvard, the IIT in Chicago, the University of Hong Kong, the Future Architecture Platform of museum MAO in Ljubljana, RIBA in London and the School of Architecture and Urbanism in São Paulo, among others. He was a visiting professor at the University of Hong Kong and an assistant professor at the Escola da Cidade de São Paulo. Gustavo Utrabo was a founding partner of Aleph Zero for six years, being in charge of the main projects of the firm.

His work has been awarded numerous international prizes, including: Prize APCA (2017), Prize Tomie Ohtake AkzoNobel (2017), American Architecture Prize - Social Housing (2018), Oscar Niemeyer Prize for Latin-American Architecture (Third Prize, 2018) or RIBA International Prize (2018).

Gustavo Utrabo (Curitiba, Brasil, 1984) se graduó en Arquitectura y Urbanismo por la Universidad Federal de Paraná en 2010. Ha participado en conferencias y en diversos eventos en instituciones como la GSD en Harvard, el IIT en Chicago, la Universidad de Hong Kong, la Future Architecture Platform del museo MAO en Ljubljana, RIBA en Londres y la Facultad de Arquitectura y Urbanismo de São Paulo, entre otras. Fue profesor invitado en la Universidad de Hong Kong y profesor asistente en la Escola da Cidade de São Paulo. Ha sido socio fundador de Aleph Zero durante seis años, estando a cargo de los principales proyectos de la firma.

Su obra ha sido galardonada con numerosos premios internacionales, entre los que destacan: El Premio APCA (2017), el Premio Tomie Ohtake AkzoNobel (2017), el Premio American Architecture a la Vivienda Social (2018), el Premio Oscar Niemeyer a la Arquitectura Latinoamericana (Tercer puesto, 2018) o el Premio internacional RIBA (2018).

A.Mag 22: Vincent Van Duysen - Print Matters!

A.Mag 22: Vincent Van Duysen

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8 years after the first monograph dedicate to Vincent Van Duysen work, AMAG publish it again. Along 224 pages, AMAG 22, features Vincent Van Duysen’s last work from Thailand to New York or Belgium to Portugal, between domestic to public architecture spaces, furniture and product design. With essays from Marc Dubois, Manuel Aires Mateus and Jose Manuel Pedreirinho, and images and technical details from a carefully selection of 21 projects, AMAG 22, revels the mature essence and character on which Van Duysen celebrates the form, proportion and the refinement behind the details present on his works.

COLLECTION AMAG
TITLE NUMBER 22
LANGUAGE EN | FR | PT
RUN NUMBER 5000 numbered copies
PAGE NUMBER 232 pages
SIZE w 320mm x h 240 mm
COVER soft
COLORING CONTENTS true colour and b&w
PRINTING offset

Cultural Bulletin – Issue E - Print Matters!

Cultural Bulletin – Issue E

SFr. 16.00

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Issue E

Identity, whether individual, shared or otherwise is inextricably tied to place – the two are connected on both the micro and macro level. Throughout Issue E, we look at various situations in which place informs identity: the identity of a culture, the identity of a building, the memories of an individual, the history of a movement, the collective identity of a species in relation to climate change and the subdivisions that occur when trying to address it.

We begin in Calais as a starting point for discussing the wider refugee crisis in the world. Insight is gained into the lives of people who are displaced, having left their homes and generational history behind in a desperate hope of finding a new place. Art historian Andrew Graham-Dixon looks at “multicultural masterpiece”, Monreale as an unlikely symbol and metaphor for a positive, creative outcome that can occur when differing cultures collaborate.

Writer R.C. Clarke analyses musician, Actress’ album Ghettoville as a way to understand how the erosion of a sense of place dislocates people from the cultures they created for themselves. In this instance, the article focusses on the white-washing of techno, a historically Black movement.

Jung Ah Hwang’s images, which are featured on the cover and throughout the issue, stem from a project called Dead Letter. Hwang, having moved home frequently as a child, explores the connection between the fading memories of places once they have been left behind and/or demolished and the impact that has on ones identity.

Editor Tom Silver’s article Stichting Kriterion: More Than Cinema, documents the student led cinema and movement that saved thousands of Jewish lives. It was an instance where the definition and identity of a place was greatly shifted and repurposed due to extreme circumstance.

A final narrative that runs through the magazine is the most elemental relationship between identity and place: humans and earth. Karina Castro’s images document the human domination of Earth’s landscape. Finally, Abigail Allan’s piece explores how the UK class system plays a part in shaping the populations sense of
identity with relation to climate change.

Featuring:

The Gig by Jenny Hval

Dead Letter by Jung Ah Hwang

Conversations from Calais

Monrale by Anthony Graham Dixon

Interview: Vanligt Folk

Interview: Jung Ah Hwang

Stichting Kriterion: More Than Cinema by Tom Silver

Ghettoville: An Ode to Forgotten Black Geometries by R.C Clarke

No Choice: Climate Change and the UK’s Working Class By Abigail Allan

Human Domination on Earth by Karina Castro

52 pgs, 29.7 × 21 cm, Softcover, 2020,

Cultural Bulletin is a quarterly magazine that provides an international view of creative work. We look to film, music, design and art as signifiers of our cultural moment.

Hochparterre – 4/21

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Aprilausgabe 2021

«In einer Wohnung wird nicht nur gegessen und geschlafen»
Gendersensibel zu planen, ist wenig verbreitet. Es bedeute, Bedürfnissen unabhängig von Geschlecht und Gender Raum zu geben, sagen der Transaktivist und die Gender-Expertin.

Das Dach des Anstosses
Ein voluminöses Vordach bedrängt Karl Mosers Postgebäude in Baden. Es fügt der turbulenten Baugeschichte des Areals ein weiteres Kapitel hinzu.

Der grosse Traum vom grünen Beton
Zement hat ein CO2-Problem. Die Branche tüftelt an Wegen, die Emissionen zu senken oder CO2 im Beton zu speichern. Ein Bericht von der wichtigsten Klimafront im Bauen.

«Man muss auch krumme Bäume zulassen»
Der Wald ist mehr als nur Holzlieferant – vor allem in Siedlungsnähe. Der Raumplaner und Forstingenieur Philipp Maurer fordert deshalb mehr Erholungswald.

Hier wird geblieben
Biel hat wenig Tourismus und kaum Geld, dafür viel Platz und eine lebendige Kulturszene: Wie Designerinnen und Designer in einer Stadt arbeiten, in der das Unfertige dazugehört.

Stallschale und Küchenkern
Gion A. Caminada baut weiter an Valendas, einem Dorf in der Surselva. Mit einer kleinen Wohnanlage will er Antworten auf den Klimawandel geben, hinterlässt aber auch Fragen.

5 Thesen zur digitalen Architektur
Was es heisst, ein digitaler Architekt zu sein, fragt der ‹Atlas of Digital Architecture›. Ludger Hovestadt und Urs Hirschberg antworten anhand von Thesen zu BIM, 3-D-Modell, Code, Kollaboration und Klima.

Kritik der Bequemlichkeit
Am Computer lernte Design, die Nutzer ins Zentrum zu stellen und unsere Bedürfnisse zu bedienen. Heute sollten wir die damit verknüpfte Bequemlichkeit infrage stellen.

Hochparterre – 3/21

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Märzausgabe 2021

Die Raumplanung muss ran
Es gibt etliche Leitfäden zur Klimaanpassung. Nun ist es höchste Zeit, dass auch die Raumplanung den Klimaschutz voranstellt. Hochparterre hat 25 Ideen und Tipps zusammengetragen.

Haarrisse in der Ideologie des Materials
Raphael Hefti setzt auf industrielle Prozesse. Mit Expertinnen und Technikern stellt er Materialien her, die es so nicht gibt. Für seine Projekte erforscht er das Verhältnis von Farbe, Material und Licht.

Gute Verbindungen
2040 erhält Luzern einen Durchgangsbahnhof. Doch das Verkehrschaos rund um den Bahnhofplatz liesse sich bereits heute entlasten, wie eine Testplanung überraschend zeigt.

Die Mischmaschine
Mit dem Zollhaus arbeitet die junge Genossenschaft Kalkbreite aus Zürich weiter an der Zukunft des Wohnens. Und öffnet sich damit zu Stadt und Quartier.

Meilis Postauto
Inspiriert von einem alten Foto schrieb der Architekt Marcel Meili (1953–2019) das Buch ‹Steiners Postauto›. Eine erhellende, vergnügte und vergnügliche Lektüre.

Kurskorrektur am Hönggerberg
Männerdominanz, Hierarchien und Eurozentrismus: Die althergebrachten Strukturen am Architekturdepartement der ETH weichen langsam auf. Dies ist auch der Hartnäckigkeit von ETH-Aktivistinnen zu verdanken, die nicht müde werden, mehr Gleichstellung einzufordern.

Eigene Wege finden
Die Ausstellung ‹Wild Thing› im Museum für Gestaltung Zürich zeigt, wie die Schweizer Modeszene auf die ökologischen und wirtschaftlichen Herausforderungen ihrer Branche reagiert.

New Norm – Issue 3

SFr. 26.00

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In Issue 03, we explore the dreamy landscapes of Jordan, the coastal fortress of La Muralla Roja, a serene and nurturing retreat into the mountains of Hong Kong, and wayfinding in a liveable city, Copenhagen. This issue not only contains some of our own travel stories, but we also focused on the dialogues that we had with various artists, designers, architects, business owners, etc., from all around the world. Apart from sharing some of their inspiring work, we also had the opportunity to learn more about their perspective on the city in which they live in and their future plans post COVID. We spoke to Kamaro’an of Taiwan, NIMU of Italy, YOHAK DESIGN STUDIO of Japan, Le Labo of the United States, AOIRO of Germany, LAAB and WOOL of Hong Kong, Atelier Cph and Birgitte Due Madsen of Denmark. During this period of the pandemic, we tried to unite our community, to inspire, and grow with one another from this new context.

The publication is 171 pages, and measures 210x270mm.

Contributors:

Alison Choi, AOIRO, Atelier Cph, Brian Buchard, Catherine Cheng, Chris Eschner, Cynthia Kuo, Dcinematic, Enok Holsegaard, Erika Fung, Gottingham, Haley Black, Henry TC, Josefine Hedemann, Josep Pedro, Joshua Lee, Kamaro’an, Le Labo, Luke Wallis, Natalie Lam, NIMU, Otto Ng, Paul Aiden Perry, Piet Albert Goethals, Pujan Shakupa, Rikke Westesen, Samuel Han, Seasons, Simon Foskjaer, Sofia Wetterstrand, thecapsuleofmemories | Dila Tunç, Victor Stonem for Openhouse Magazine, Vivian Hung of WOOL, YOHAK DESIGN STUDIO, We are Eli

Monu 33: Pandemic Urbanism - Print Matters!

Monu 33: Pandemic Urbanism

SFr. 25.00

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There is much to discuss regarding what kinds of changes and shifts the coronavirus pandemic might bring to cities. Some of these could be spatial, subtle changes triggered by social distancing, confinement, and lockdown measures, and others might be articulated in new modes of social interaction and domestic activities. There will certainly be long-term effects on politics, socioeconomics, culture, and the environment. This issue of ‘MONU’ addresses what effects pandemics have on cities, both today and in the past, and analyses their urban impact, yet also looks for new ideas and approaches that improve our dealings with the current situation in these strange times.

132 p, ills colour & bw, 20 x 27 cm, pb, English

A.Mag 21: Wespi De Meuron - Print Matters!

A.Mag 21: Wespi De Meuron

SFr. 49.00

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From Switzerland, this is the second time that AMAG published this office from Caviano. Markus Wespi, Jérôme de Meuron and Luca Romeo work together on a continuously and carefully searching for details in response to his clients requests. In a small scale projects that clearly have a deep respect from the atmosphere, light and materials, bringing together a unique language loaded from references.

COLLECTION AMAG
TITLE NUMBER 21
LANGUAGE EN | FR | PT
RUN NUMBER 5000 numbered copies
PAGE NUMBER 192 pages
SIZE w 320mm x h 240 mm
COVER soft
COLORING CONTENTS true colour and b&w
PRINTING offset

a+t – Issue 53

SFr. 32.00

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What is rural? What do we call rural architecture? The title of the new series of a + t magazine questions what we have known so far as rural context, the limits of which are increasingly diffuse. This first issue identifies pieces of very different scales which aim to provide architecture for those who inhabit the countryside, both human and non-human.

CONTENTS (English/Spanish)

WHAT'S GOING ON OUT THERE? Aurora Fernández Per

A Countryside Story

Philippe Madec, Atelier Provisoire, Pépitomicorazon, 2PM. Loupiac’ Method. Loupiac (France) 2018.

A Well Cultured Rural Complex

Architectural interventions in Shatwell Farm.

Stephen Taylor Architects. Shatwell Farm Cowshed and Haybarn. Yarlington, Somerset (United Kingdom) 2015.

Hugh Strange Architects. Drawing Matter Archive. Yarlington, Somerset (United Kingdom) 2014.

David Grandorge and Unit 7 at the Cass. Finnforest Pavilion. Yarlington, Somerset (United Kingdom) 2008-2019.

A Centre for the Centre

DierendonckBlancke. Oc Kasterlee and De Met. Kasterlee (Belgium) 2012-2017.

Reclaiming Old Structures

Fala Atelier. Housing Abragão, Penafiel (Portugal) 2016-2018.

Densifying the Centre

Seiler Linhart. New Centre. Jonen (Switzerland) 2017.

Friendly Environment for Families

Studio Velocity. Kowa Public Apartment Complex. Mihama, Aichi (Japan) 2017.

Rethinking the Right Location for Education

MASS Design Group. University of Global Health Equity. Butaro, Burera District (Rwanda) 2019.

Developing Short Chains

a25architetti. Bressanella Agricultural Pavilion. Besana in Brianza (Italy) 2018.

Stabilizing Communities with Affordable Housing

Oopeaa. Puukuokka block. Kuokkala, Jyväskylä (Finland) 2011-2018.

Attracting Migrants from the City

Atelier Bow-Wow. Satoyama Nagaya Hoshinogawa. Yame, Fukuoka (Japan) 2017-2018.

Readapting Uses and Users

Lenschow & Pihlmann. Student Village. Damagervej 8, Viby J. (Denmark) 2016.

Hideouts for Animals and Urbanites

Gartnerfuglen Arkitekter & Mariana de Delás.

Grooming retreat. Santanyi, Mallorca (Spain) 2014.

Hidden place.Telemark (Norway) 2017.

Pozo Podenco. Mallorca (Spain) 2016.

Damn – Issue 77

SFr. 22.00

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DAMNº 77 – A Conversation on Happiness

The celebrations that erupted across the world as Joe Biden’s presidential win became apparent rang like a victory for basic human decency. There was a real rapture – despite the ongoing spread of a devastating pandemic – and it was contagious. Might this decency and a return to so-called “norms” usher in a new era of stability for 2021? And does stability lie at the core of happiness anyway?

We also join a Dutch curator on his trip across the American election trail where he visited artists to hear how the American political landscape influences their work. The conclusion is a more humble understanding of what really makes us happy, a much-needed skepticism of the role technology plays, and a nuanced awareness of how design shapes it all.

Delphi – Issue 6

SFr. 15.00

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Delphi – Issue 5

Megalomania

Authors: Vanessa Grossman, Ciro Miguel
Contributions by: David Alabo, Vanessa Grossman, Charlotte Malterre-Barthes, Ciro Miguel
Year: 2020
Language: English, German
Zine: 76 P.
Paper: Heaven 42

Openhouse – Issue 14

SFr. 25.00

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Openhouse - Issue 14 - Respite, Connect and Escape

In this issue we find respite in the slower connections made by the hands of artists and artisans. We share a weekend with master-gardener Luciano Giubbilei at Potter’s House in Majorca, experience the inspired frugality of Enric Mestre’s Valencia workshop, and escape to Basque Country to consider the sculpture of Eduardo Chillida in the setting most personal to his work. We stop in Mexico City to visit Museo Casa Estudio Diego Rivera y Frida Kahlo, and head home dreaming about new ways of life practiced by Bijoy Jain at Studio Mumbai.

Openhouse – A Lifestyle & Culture Magazine – is a guide to creative people around the world who open their homes and private spaces to the public to share cultural activities and experience life together.

Our readers work as designers, creative directors, architects and photographers, entrepreneurs, marketing managers, journalists & editors.

As studio, Openhouse collaborates with brands to produce exclusive designed products, brand photography for marketing and content, and a range of events to bring our readers and the brands together.

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Juni/Juliausgabe 2021

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Series 1 / Volume 1: HEALED OUTCOMES

Maiausgabe 2021

N. 207 Estúdio Gustavo Utrabo 2015 2020

Issue E

Aprilausgabe 2021

Märzausgabe 2021

Delphi – Issue 5

Over 7 Mio. Books