Where does the universe begin, where does it end? Imagining these dimensions is no easy task. However, the fortytwomagazine #5—space tries to figure that out, because the universe does not only offer place for speculations about extraterrestrial life or romantic dreams with the view into the starlit sky. Even if it feels far away, it has a direct influence on our lives.

As in every issue, they also illuminate ten different disciplines and thus ten perspectives. Among other things, the magazine deals with the problem of space debris, the role of government space agencies and the question of what it is like to live some 400 kilometers above the earth and to master everyday life in the International Space Station ISS in the most confined space. The works of the artist Protey Temen form an exciting interplay with the interesting interviews.

For this fifth issue, the fortytwo-team  has not only ventured into space in terms of content, but has also broken new ground here on Earth: fortytwomagazine #5 is now distributed by Slanted Publishers, an internationally oriented publishing house based in Germany, which is also responsible for the issue’s new design.

fortytwomagazine #5—space

Publisher: Slanted Publishers
Editor: Eliana Berger, Kurt Bille, Lara von Richthofen, Lena Kronenbürger
Release: December 2020
Design: (Slanted Publishers), Azziza El-Yabadri, Julia Kahl, Lars Harmsen
Volume: 176 pages
Format in cm (w × h × d): 16 × 24 cm
Language: English, German

Slanted Magazine #35—L.A.

From the perspective of a European, Los Angeles is the opposite of our old metropolises. The sprawling multi-dimensionality is alien, and for many, gets on our nerves: the tangled network of highways and the constant driving around (damn you, General Motors streetcar scandal!), the emphasized nonchalance and never ending optimism of everyone, the sunny weather, the ingenious modernist architecture, the film industry, the tourists and the shitty art museums ... perhaps, just perhaps everything about this city gets on our nerves. Despite, or maybe because of all of this, L.A. is a fucking awesome city, both in the Biblical sense and the slang sense. This staggering awesomeness is fucking undeniable.

We wanted to meet Ed Ruscha to talk about his mysteriously seductive and motionless-looking reductive paintings. Unfortunately it didn’t work out, but his piece “Hollywood is a verb” inspired the three different titles/cover variations of this issue. We would also have liked to see David Hockney, who fled the austerity and grey oppression of England (an early Brexit) to Los Angeles to discover a sunny and hedonistic city. No dice there, either. But hey!, in a town like L.A. and on a production like Slanted’s, not everything has to work out. Often, the best things happen when they’re not planned, just as they did here.

We hung out with the wonderful actor Udo Kier and learned a lot about Hollywood and his life. We spent a superb evening with Sarah Lorenzen and her husband, photographer David Hartwell, who meticulously restored the Neutra VDL Studio and Residences, the home of architect Richard Neutra (see our video interviews), and a number of other luminaries.

Our partner-in-crime Ian Lynam introduced us to tons of great designers, artists and teachers, who all—really, all—when asked where their allegiance lies: with N.Y. or L.A., yelled “L.A.!!!” without batting an eyelid. We knew that numerous German intellectuals chose L.A. as a refuge from the Nazis. Among them were Bertolt Brecht, Marlene Dietrich, Fritz Lang, Heinrich and Thomas Mann, and Billy Wilder. Artists from other countries found their home here, as well. Luis Buñuel, Jean Renoir, Igor Stravinsky, Arturo Toscanini and many others took up residency in Tinseltown. The emigrants made the Los Angeles of the 1940s a lively centre of European culture. They lived their individual and collective dreams ... because it was possible.

And it’s true. Everything seems to be possible in L.A., and thus, America, even if today seen with a deeper irony and a hyper-acuity to the politics, the sleaze, and the darkness.

After our time in Los Angeles, we left the horizontal city behind us and headed east through the Nevada desert, on roads as if pulled invisibly and intangibly away from a place that brought tears to our eyes: that city on the Pacific which might just be the end of the world.

Slanted Special Issue – Rwanda

Many asked us: Why the hell did you go to Rwanda and how did you even get the idea? To answer these questions, a little segue into the past is necessary. Way back in 2012 Lars Harmsen was sitting in the jury of the Design Award Rhineland-Palatinate, awarded by the descom Design forum Rhineland-Palatinate. In 2018 Julia Kahl has been invited to be part of the jury and it was there that she found out about the project to showcase Rhineland-Palatinatean design in Rwanda–and the other way around. To this end, descom has conceived an exhibition that has been implemented in cooperation with the Partnership Association Rhineland-Palatinate/Rwanda (Jumelage) in Kigali and showed projects from both countries.

This project has gained our attention and we wanted to take a look at the up-and-coming creative scene in Rwanda ourselves. But the country also impressed us in other ways: Plastic bags? They are absolutely forbidden there since 2004. Environmental management is being decentralized from the political to the local level, leading to a widespread understanding on how to preserve the environment. On the last Saturday of the month, for example, every citizen is obliged to tidy up the streets. Since this year, no more old clothes from the West may be imported to Rwanda—this could create around 25,000 new jobs and the textile industry is flourishing.

To see a developing country implement and carry out such legislations is ground-breaking. It goes to show; anything can be possible if the political will really exists and true efforts are made. So, we have to say it again: Rwanda showed us how it’s done!

It’s now our honor to present a few outstanding personalities as well as many good stories besides some “design eye-candy” in this Slanted special issue.

Participants: Maggie Andresen, Timothy Wandulu / Concept Arts Studio, Mihir Bhatt / Creative Communications Rwanda, Abdi Latif Dahir, Carolin Dürrenberg und Silke Philipps-Deters / descom – Designforum Rheinland-Pfalz, Pierra Ntayombya / Haute Baso, Katharina Hey, Matthew Rugamba / House of Tayo, Innocent Nkurunziza / Inema Arts Center, Umuhire MweneMuntu Isaac, Judith Kaine / Kurema Kureba Kwiga, Jacques Nkinzingabo / Kigali Center for Photography, Niyunkuru Canda & Manzi Jackson / Kuuru Art Space, Moses Turahirwa / Moshions, Lynn Harles, Michael Nieden / Partnerschaftsverein Rheinland-Pfalz – Ruanda, Nelson Niyakire, Guillaume Sardin, Chris Schwagga, Daniel Sommer, The Economist

Die Europäische Union mit ihren 28 Mitgliedstaaten steht heute vor schwierigen Zeiten: Finanzkrise, Flüchtlinge, Verlust von Verbündeten und Ausstiegsszenarien führen zu Angst und Unsicherheit. Vor allem aber erleben wir auch, wie die digitale Revolution ein neues Bild einer Gesellschaft schafft, deren technische Möglichkeiten die Ambitionen haben, über das hinauszugehen, was politisch und moralisch geboten ist.

Bisher widmete das Slanted Magazin alle Ausgaben einzelnen Ländern oder Metropolen, um die an den jeweiligen Orten bestehende Design- und Kunstszene abzubilden. Diesmal reagieren wir auf die Notwendigkeit, für ein vielfältiges Europa zusammenzustehen und unsere Stimme zu erheben, um die Freiheit und die damit einhergehende Lebensqualität zu schützen, die andere für uns erkämpft haben.

Das Slanted Magazin #34 – Europe ist ein Plädoyer für ein facettenreiches und lebendiges Europa, vor dem Hintergrund eines Europas der Nationen, des Rechtspopulismus und der nationalistischen und egoistischen Politik. Es ist ein Inventar, bestehend aus den Kommentaren, Perspektiven und Gefühlen von Illustratoren, Fotografen, Autoren und Grafikern aus ganz Europa.