Broccoli is the international magazine for cannabis lovers.

Created by women who love weed, Broccoli is a magazine presenting a new perspective on cannabis culture. Playful, informed, eclectic, and thoughtful, it encourages the discovery and intelligent appreciation of cannabis through explorations of art, culture, and fashion.

88 pages, perfect bound, printed on premium coated paper.

Where the Leaves Fall #5

The themes for this issue focus on water, technology, and cosmos, alongside a series of dialogues.

A BODY OF WATER

In our first theme of this issue, we examine how ice, traditionally a symbol of eternity and stasis, has become a metaphor for change and decay in contemporary art. We also look at what it means to live on an island, surrounded by water, feeling the sea’s abundance alongside the threat of water shortages; and our meditation on OmVed Gardens’ pond draws on writer Astrida Neimanis’ theory of hydrocommons – looking at how water runs across nature, binding and connecting it and, implicitly, us.

NATURE AND TECHNOLOGY

We hear from John Francis Serwanga, the World Food Programme’s hydroponics expert, about how modern agricultural techniques are transforming school gardens in Zambia, allowing vegetables to grow even in places where the soil is less fertile. We also look at how businesses are using biomimicry to adapt natural phenomena into technical designs; and the way our relationship with technology will dictate how we navigate our way through the climate crisis.

AMONG THE STARS

Our photographic essay looks at what satellites can tell us about ourselves, giving us a historical overview of how we live our lives and our impacts on our planet. Science writer Jo Marchant describes the awe felt by astronauts looking back at earth and how most of us don’t confront our fear of the vast unknown in the same way. And we explore a smaller cosmos with early 20th century naturalist and filmmaker F. Percy Smith, who used his ingenuity to photograph and reveal nature’s intricacies in his microscopic portraits of everything from flowers to frogspawn.

DIALOGUES

Writer Johanna Tagada Hoffbeck looks at the link between switching off from email and improved mental health. Rachelle Robinett forages for edibles near her apartment in New York, US, and Jonny Keen explores the places abandoned by humankind that provide a new start for the natural world.

Product Dimensions: 240mm x 170mm

Pages: 128

Wild Alchemy Lab is a new transdisciplinary platform from experimental botanical studio Mama Xanadu: a vehicle in which to navigate our fractured relationship with nature and the cosmos through both a scientific and esoteric lens. We take up the macro-microcosmic vision of the Hermetic axiom ‘as above, so below’ - all aspects of universal phenomena correspond and relate to one another. This places our work at the intersection of plants, planets and people.

Alchemy is the arcane art of transformation, the physical and psycho-spiritual practice of elevating the base elements of our experience to a noble state. Central to alchemical philosophy is the death process: death begets life. To evolve beyond crisis, outdated systems and thought forms are dissolved to be reconstituted into a new, more valued way of being. Through an act of collaboration and co-creation, with nature as our guide and medium, we explore ways to distil our experience and transform its vital force into an embodied sensory ecology.

Where the Leaves Fall #4

The themes for this issue focus on mutualism, interconnectedness, and pandemic, alongside a series of dialogues.

A MUTUAL FEELING

The issue opens with a look at how our lives are inextricably entangled with the lives of other species, and the way that artists and creatives are attempting to recognise this. We examine the legacy of George Washington Carver, the black son of a slave owner, whose insights into soil preservation and crop diversification in 19^th century America preempted the concerns of modern regenerative agriculture. And Brazilian chef and author Bela Gil argues that agroecology could be the key to ending climate change and food poverty.

OUR ROOTS ENTWINED

We find out how a 16^th century guru living in northern India has inspired ecology lessons in contemporary Dubai, and learn about the tenets of the Bishnoi community who were eco-warriors before the term was invented. Deepti Asthana’s photographic essay explores life for teenage girls in a remote Himalayan village. And Catherine Gilon connects colonial interventions in Nilgiris, southern India, with the current threat to native species and destabilisation of the ecosystem.

A CHANCE TO REFLECT

We examine how the Covid-19 pandemic has affected food security, with an insight into how people are finding local solutions to the collapse of global supply chains, focusing on initiatives in India, the Philippines, Sierra Leone, Colombia, Mexico, Trinidad and Tobago, the US and the UK. And how the gardens in Domiz 1, the oldest and biggest refugee camp in Iraq, have become a symbol of hope to the camp’s 32,000 inhabitants.

DIALOGUES

Writer Maia Nikitina explores the way in which the Russian myth of Baba Yaga has evolved to reflect the country’s changing relationship with nature. Ellen Miles makes the case for nature access as a human right. And Sol Polo is inspired by artist Maria Laet’s work seeking to mend the divide between humankind and the elements.

Product Dimensions: 240mm x 170mm

Pages: 136

ISSUE 7 – Autumn 2020
CELEBRATING THE JOYS OF GARDENING AND NATURE

Welcome to the autumn edition of Bloom! It’s packed with practical advice, inspiring stories about nature and a celebration of all things green.

In issue 7, we ask some of the UK’s best garden designers for their advice on planning a garden, there’s a pro’s guide to making natural inks from plants, as well as top tips on harvesting veg, lifting a lawn and creating arrangements with dried flowers.

There’s a round up of top books for dark nights, an intro to Korean natural farming and a moving story about gardeners in refugee camps. Plus more things to do, grow and cook throughout the season…

Beautiful and hardworking, Bloom is for anyone with a passion for nature: so dig in, whether you have a garden, a balcony or a windowsill.

Broccoli is the international magazine for cannabis lovers.

Created by women who love weed, Broccoli is a magazine presenting a new perspective on cannabis culture. Playful, informed, eclectic, and thoughtful, it encourages the discovery and intelligent appreciation of cannabis through explorations of art, culture, and fashion.

88 pages, perfect bound, printed on premium coated paper.

ISSUE 6 – SUMMER 2020
CELEBRATING THE JOYS OF GARDENING AND NATURE

Welcome to the summer edition of Bloom! It’s packed with practical advice, inspiring stories about nature and a celebration of all things green.

In issue 6, we round up the best plants for a shady window box or border, there’s a pro’s guide to growing mushrooms, as well as top tips on caring for air plants.

Keep flicking and you’ll find the best nature books for children, a love letter to the UK’s landscapes and a line up of prized perennials as chosen by expert plantspeople. Plus more things to do, grow and cook throughout the season…

Beautiful and hardworking, Bloom is for anyone with a passion for nature: so dig in, whether you have a garden, a balcony or a windowsill.

Besides providing botanical content in a simple, personal and cozy way; The Plant offers plant lovers a new look at greenery by featuring the works of many creative people who share our love for plants.

As a curious observer of ordinary plants and other greenery, the magazine presents a monograph on a specific plant; bringing together photographers, illustrators, designers, musicians, writers and visual artists, both established and emerging, from all over the world.

These people share with The Plant their unique perceptions and experiences of plants.

The Belonging Volume

The Belonging Volume takes a planetary perspective to reflect on the significance of our existence and that of the intricate network of ecosystems we inhabit. It explores how intimate knowledge of nature can enable us to feel at home outdoors, and how finding wonder in our everyday lives can profoundly impact our worldview. It listens to the voices of the younger generation and ruminates on the concept of intergenerational equity, and it hears stories of collective action to tackle some of today’s most pressing issues. It inspires us to humbly step back from our anthropogenic view on the world so we may find belonging in nature and come home to ourselves.

A brand new collection of thought provoking stories of adventure, exploration and experience.

144 pages, perfect bound, and printed in full colour on FSC approved uncoated 120gsm paper in the United Kingdom.

The themes we explored for the second issue of Where the Leaves Fall focused on death, journey and seeds, alongside a number of essays in the dialogues section. 

ALL THINGS MUST PASS

In this section we look at how Ana Mendieta celebrated her own mortality in her work, exploring the cycle of life and death and our connection with nature. Transcending the spiritual and philosophical to the actual, Antonina Savytska’s visceral images of the last months of her aunt’s life paints a stark and honest portrait of our relationship not just with death, but the life that leads us there and the patterns and behaviours of the ancestors that live through us. And we look at how societal conventions around death, developed to make the process as comfortable and acceptable as possible, are being challenged by environmentalists with the aim of ‘greening’ the system.

THROUGH OUR JOURNEY

We begin our exploration of journey (as well as the cover image) with The Flower Laboratory’s reuse of heather flowers leftover from a fashion shoot as art, as communion, as rehabilitation. Then we explore the Russian cultural phenomenon of the dacha, the plot of land and residence beyond the city boundaries where people can escape to nature. With ayahuasca, another way to commune with nature, we question the impact of yagé tourism on Indigenous communities.

LIVING WITH SEEDS

Seeds are a ubiquitous part of our daily lives and in this section we explore different seed interactions – whether it’s searching for endangered flora in Kyrgyzstan, understanding how seeds are used to communicate with ancestors in Zimbabwe, discovering the world’s largest seed in the Seychelles, or exploring the structure and ways seeds disperse through the camera’s lens.

DIALOGUES

Our dialogues offer a range of ideas and different perspectives, including climate change activism in Africa, how death should be celebrated as a part of the food cycle, the water element, bringing climate change to our doorstep, the ecosystems that thrive above our heads, and drawing a garden in motion.

Product Dimensions: 240mm x 170mm

Pages: 128

Issue Two - A Borrowed Landscape

‘Borrowed Landscape’ seemed a fitting title for our second issue as so many of the gardens and people we visited allowed their locality to form a distinctive signature to their story. We talk to Fergus Garrett, head gardener at Great Dixter, who takes us on a sensory tour of the world famous Sussex garden. We take to the road to uncover hidden gardens in the Scottish Highlands and Inner Hebrides. Join in conversation with River Cottage chef Gill Meller, to discuss his honest approach to food and writing. We discover the story behind the Japanese Garden created in a secluded valley in Cornwall and explore the beautifully time worn gardens of Rousham, an enduring example of the English Landscape Movements. Where the grounds can be enjoyed in much the same way the 18th century visitor would have explored the paths and lingered over the vistas.

This issue sees us go Au Naturel - uncovering a theme that has had shifting boundaries and conflicting definitions. Our Icon William Robinson was a man who sought to imagine a new, more ‘natural’ style of gardening. Jo Metson Scott photographs his legacy at Gravetye with words by Richard Bisgrove. Jonny Bruce takes us on a journey to three subversive gardens that liberated his thinking of what a garden could be. We revisit Howards Sooley’s photographs of Derek Jarman and Dungeness and he shares memories of this friend Mourned by the Wind.

Concepts of beauty are bought under the spotlight with Against Nature by Bethan Cole, photographed by Drew Vickers, and A Vision of Beauty by Sarah Jane Downing. We also take a look at The Bush with artist Ruth van Beek and explore the idea of being naked in At One with Nature. The vegetable gardens of chef Alain Passard are documented over a year by Alexandre Guirkinger - with an interview by Paul Henry-Bizon and we explore the combination of Food and Flowers with Simone Gooch, photographed by Joaquin Laguinge.

Naturally we consider gender and sexuality, so often defined by people on behalf of others. Here Pleasure Garden commissioned artist Linder Sterling to explore film stills from the old porn studio at Flamingo Estate in Los Angeles and we talk to the designer Erdem Moralıoğlu about fashion and self-expression.

On the occasion of the 20th anniversary of the death of American photographer Linda McCartney, The Plant magazine and musician Paul McCartney, have teamed up to put together a story of unpublished work by the artist and her passion for flowers. Both covers of The Plant 13 are by Linda, the first one with Paul and Heather in Devon (1969) and the other one showing Stella McCartney in Scotland (1973).

Also featuring in this issue the curious world of artist Batia Suter with Natural Grammar, a report on the 12th edition of Manifesta in Palermo through the lenses of Sam Rock and we travel to the rural area of Kangra in India with Tom Johnson to meet the local farmers. Laura
Hawkins and Scheltens & Abbenes take a look on the fashion designer Paul Poiret and Raoul Dufy’s patterns. And Cameranesi Pompili and photographer Ilaria Orsini contribute with Objet Trouvé, a series of selected contemporary flower vases.

Plus: Woman as Tree, Tree as Woman, by writer and art critic Hettie Judah; and a pagan festival in Spain Os Maios by Tex Bishop where people dress like trees. Also From the Earth, a collaboration with French fashion brand Lemaire photographed by Alice Neale. Other stories
take a look on the insidious Plastic Addiction and the bird life in Wissant by Estelle Hanania and Sandra Berrebi.

Last and not least Loose Leaves, The Plant magazine’s short stories section with contributors like gardener Matthew Wright, design curator Zoe Ryan, perfumer Barnabé Fillion, illustrator Christina Zimpel, florist Ruby Barber and Bruno Mayrargue from Librairie Yvon Lambert, amongst others.