Das Knuckle Magazine vereint kontemporäres Storytelling mit Ski Kultur. Eine Gruppe von Wintersport Enthusiasten vermittelt, was es heisst den Skisport nicht nur zu betreiben, sondern zu Leben. Geschichten welche darum herum entstehen, werden in diesem Print Magazin jährlich einmal veröffentlicht. Dabei reicht die Spannweite von unterhaltsamen Comics bis hin zu gesellschaftskritischen Essays. Auch der Fotografie und visuellen Gestaltung wird grosse Hingabe gewidmet. So vermag dass Knuckle auch Leser zu begeistern, welche wissen, dass es nicht immer darum geht, wer als Erster im Ziel zu sein.

Die Ausgabe No. 1 des Knuckle dreht sich um Reisen und beleuchtet diesen Zustand des unterwegs seins von ganz unterschiedlichen Seiten.

Après le succès du numéro 1, L’ÉTIQUETTE revient avec un second numéro, et toujours ces mêmes questions: comment s’habiller ? Et pourquoi ?

Jump into the megawatt world of Mert and Marcus, the creative tour de force who have styled and shot some of the most powerful brands and personalities of our time, from Miu Miu to Angelina Jolie, Givenchy to Gisele Bündchen. Sourced from our best-selling Collector’s Edition, some 300 picturesilluminate the hyper-glamorous, hyper-glossy repertoire of a creative partnership that has defined and redefined standards for fashion.

In this revealing publication, Mario Testino presents a 50-part series exploring the intersection of art, anatomy, fashion, and eroticism. Coinciding with an exhibition at the Helmut Newton Foundation in Berlin, these works center on the naked body, blurring the line between public and private personas as well as laying Testino’s archive bare with a number of previously unseen photographs.

Matthias Harder, Manfred Spitzer, Carine Roitfeld

Softcover, 24.4 x 34.5 cm, 144 pages

Mario Testino selects his finest male portraiture from the past 30 years. As costume, gender play, photojournalism, and fashion collide, this Eden of male allure is testimony both to Testino’s unfailing eye for immediacy and elegance, and to the evolution of male self-expression over the past three decades.

Softcover, 27 x 35 cm, 504 pages

Kate + Mario = fashion dynamite. This book is the legendary photographer’s personal homage to his greatest muse: a young girl that captured his heart and eye with her beauty, humour and spirit, and whose image in his photographs has captured imaginations the world over. The show-stopping collection includes fashion shoots, candid snaps, and insights from both icons.

Peter Lindbergh – A Different Vision on Fashion Photography

Discover four decades of unique fashion storytelling from Peter Lindbergh. This stunning photographic collection includes more than 400 Lindbergh pictures, many previously unpublished, to showcase his seductive, cinematic aesthetics and the new narrative vision he brought to art and fashion. The images are accompanied by personal tributes from Jean Paul Gaultier, Cindy Crawford, Anna Wintour, and other front-row royalty.

Sprache: Englisch, Deutsch, Französisch

The only international collection of Beijing photographer Ren Hang, whose images garnered some 90 shows in his brief six-year career, as well as a mass following online. Vivid and explicit, Hang’s images capture naked subjects outdoors, exposed, erect, and in an entanglement of bodies that put him at the forefront of a gender fluid world and of Chinese artists’ battle for creative freedom.

Discover the world’s finest crop of new homes. This dependable global digest features such talents as Shigeru Ban, MVRDV, and Marcio Kogan alongside up-and-comers like Xu Fu-Min, Vo Trong Nghia, Desai Chia, and Shunri Nishizawa. Organized by architect and brimming with crisp photography and plans, the result is a sweeping survey of the contemporary house.

Sprache: Englisch / Deutsch / Französisch

Inside North Korea

Offering a rare glimpse inside the Hermit Kingdom, Guardian journalist and photographer Oliver Wainwright takes us on an architectural journey behind closed doors in the world’s most secretive country. From the mosaic-lined lobbies of Soviet-era health centers to the candy-colored interiors of brand new theaters, his photographs shine a spotlight on the reclusive regime’s ambition to “turn the whole country into a socialist fairyland.”

Oliver Wainwright, Julius Wiedemann
Taschen
Hardcover with ribbon bookmarks, 21 x 27.5 cm, 240 pages

Sprache: Deutsch / Englisch / Französisch

Modernist aesthetics in architecture, art, and product design are familiar to many. In soaring glass structures or minimalist canvases, we recognize a time of vast technological advance which affirmed the power of human beings to reshape their environment and to break, radically, from the conventions or constraints of the past. Less well-known, but no less fascinating, is the distillation of modernism in graphic design.

This unprecedented TASCHEN publication, authored by Jens Müller, brings together approximately 6,000 trademarks, focused on the period 1940–1980, to examine how modernist attitudes and imperatives gave birth to corporate identity. Ranging from media outfits to retail giants, airlines to art galleries, the sweeping survey is organized into three design-orientated chapters: Geometric, Effect, and Typographic. Each chapter is then sub-divided into form and style led sections such as alphabet, overlay, dots and squares.

Alongside the comprehensive catalog, the book features an introduction from Jens Müller on the history of logos, and an essay by R. Roger Remington on modernism and graphic design. Eight designer profiles and eight instructive case studies are also included, with a detailed look at the life and work of such luminaries as Paul Rand, Yusaku Kamekura, and Anton Stankowski, and at such significant projects as Fiat, The Daiei Inc., and the Mexico Olympic Games of 1968. An unrivaled resource for graphic designers, advertisers, and branding specialists, Logo Modernism is equally fascinating to anyone interested in social, cultural, and corporate history, and in the sheer persuasive power of image and form.

The author 

Jens Müller was born in Koblenz, Germany, in 1982 and studied graphic design. Recipient of numerous national and international design awards, Müller is Creative Director of vista design studio in Düsseldorf, editor of the A5 book series on graphic design history, and author of Logo Modernism. He is a visiting lecturer at the Peter Behrens School of Arts in Düsseldorf and at the design department of the Dortmund University of Applied Sciences and Arts. 

The contributing author 

R. Roger Remington is Vignelli Distinguished Professor of Design at the Vignelli Center for Design Studies, Rochester Institute of Technology, New York. He has lectured and written extensively on the history of graphic design, including Nine Pioneers in American Graphic Design and Design and Science: The Life and Work of Will Burtin and has been reocgnized by the RIT Eisenhart Award for Outstanding Teaching and the Trustees Lifetime Achievement Award for Scholarship in Graphic Design.

Logo Modernism

Jens Müller, R. Roger Remington

Hardcover, 24.6 x 37.2 cm, 432 pages
Multilingual Edition: English, French, German

Performance-Künstlerin, selbstbekennende transsexuelle Anarchistin, Macho-Frau, seelisch Heimatlose, Fashion Model für Marianne Alvoni, Lieblings-Zielscheibe der Schweizer Boulevardpresse – Coco, Dana whatshername, Patricia, Éve-Claudine Lorétan war so vieles in ihrem zu kurzen Leben.

Olivier Fatton begegnete Coco an einem Sonntag im November 1989. Dieser ‚lichte und doch so schwermütige Engel“ faszinierte den Fotografen vom ersten Moment an. Bei einem Kaffee in einem Berner Schwulenlokal schliessen sie einen fotografischen Vertrag: Coco posiert für ihn und dafür dokumentiert Fatton ihre Geschlechtsanpassung. Aus dem Pakt wurde eine Liebesbeziehung, in deren Verlauf Fatton zahlreiche Aufnahmen von Coco machte. Intime Porträts, inszenierte Modefotografie, zuhause, unterwegs, in Clubs und in den Bergen zeigen die zahlreichen Facetten der schillernden Coco. Und immer wieder diese grossen, melancholischen Augen. Ihre Augen seien ihr zweiter Mund geworden, sagte sie einmal. Und weil Cocos tausendseitige Autobiographie von Dieben gestohlen wurde, erzählen uns diese Augen vom Leben einer Kameliendame des 20. Jahrhunderts.

Dunia Miralles sieht Coco genau als so eine literarische Figur der Demi-Monde. In ihrem biographisch informierten Kurzroman, der die Fotografien begleitet, gibt sie Cocos Leben neue Gestalt.

1. Auflage 2019

Künstler: Olivier G. Fatton
Mit Texten von: Dunia Miralles
Gestaltung: Studio–Rubic (Ann Griffin, Nicolas Jeanmairet)
Verlag: Edition Patrick Frey

Broschiert, 264 Seiten, 134 Farbabbildungen

19 × 25 cm

Sprache: Englisch, Französisch

Raddar provides a space for both young and experienced researchers to express themselves on subjects relevant to design theory. Juxtaposing bilingual versions of the texts, Raddar serves as a bridge between French and English-language research.

Raddar is published jointly by the mudac and T&P Work Unit, with graphic design by Julien Mercier.

The first issue of Raddar is devoted to design functions, a fundamental concept within the discipline. Specialists from diverse fields of study express their views on the subject, while the multipurpose cover was created by designers from Formafantasma.

With texts from Vincent Beaubois, Jonas Berthod, Gwenaëlle Bertrand, Claire Brunet, François Burkhardt, Roberto Casati, Catherine Geel and Anna-Maria Meister.

An original text by Theodor W. Adorno, reproduced in German and translated into French and English.

And a joint interview with Jamie Paik and Christophe Gubéran, led by Marco Costantini and Claire Favre Maxwell.

208 pages, French-English, published by the mudac and T&P Work Unit.