120 p, ills colour, 21 x 27 cm, pb, Danish/English

Ezra Stoller

A Photographic History of Modern American Architecture

A captivating history of 20th-century Modern American architecture, as seen through the eyes of a legendary photographer

Pierluigi Serraino

It is impossible to overstate the importance of photography's role in shaping the world's perception of architecture. And towering above the ever-growing crowd of image-makers is Ezra Stoller, an architectural photographer of immeasurable consequence in documenting the history of modern architecture - both known and unknown - in the United States and beyond. This book is one of the first to present the breadth of Stoller's largely unseen archive of images, brought to life through exquisite color and duotone black-and-white reproductions.

SPECIFICATIONS:

Format: Hardback
Size: 290 x 250 mm (11 3/8 x 9 7/8 in)
Pages: 416 pp
Illustrations: 450 illustrations

'ToiletMartin PaperParr' is a high-impact visual volume revealing the most iconic images from the prolific archives of internationally celebrated artist Martin Parr and the duo who created 'Toiletpaper', Maurizio Cattelan and Pierpaolo Ferrari.

Martin Parr’s ironic, full colour images combine perfectly with the irreverent and poignant wit created by Maurizio Cattelan and Pierpaolo Ferrari. The 120 vibrant back-to-back images included in this compelling volume are sensually and visually appealing, as well as being reflective of reality. This book of the books shakes up the mind and leads the eye in every direction.

language: english
pages: 192
illustrations: 120
binding: hardbound
release: March 2020

‘Each shoot is a total love letter to an object from the V&A, sometimes several objects. My relationship to objects is like falling in love with someone. It relates to how we interact as people, how you become best friends with someone. It’s a search for a new friend…’
TIM WALKER

Published to accompany the V&A’s mesmerizing exhibition Tim Walker: Wonderful Things, this book is a journey through the creative mind of one of the world’s most inventive photographers. It presents over 100 compelling photographs, from ten magical photoshoots inspired by objects from the V&A’s enormous and eclectic collection. Featuring conversations between the set designers, stylists, hair and make-up artists, models and muses who bring Walker’s imagination to life, it includes contributions by Jack Appleyard, Zoe Bedeaux, Terry Bloxham, Edie Campbell, Gwendoline Christie, Josephine Cowell, James Crewe, Malcolm Edwards, Karen Elson, Katy England, Edward Enninful OBE, Amanda Harlech, Shona Heath, Hungry/Johannes Jaruraak, Ibrahim Kamara, Kate Phelan, James Spencer, Jerry Stafford, Tilda Swinton and Gareth Wrighton. Previously unpublished behind-the-scenes imagery and preliminary sketches combine to reveal Walker’s extraordinary creative process, from his detailed research in the labyrinth of storerooms and galleries at the V&A, to his spectacular final pictures.

Toiletpaper

Toiletpaper is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, ‘Toiletpaper’ has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

Dieses Postkartenbuch bildet den Auftakt zu einer Zusammenarbeit mit dem Alpinen Museum der Schweiz. Pro Halbjahr erscheint ein neuer Band mit rund 40 heraustrennbaren Postkarten, die einen wesentlichen Sammlungsbestand des Alpinen Museums an die Öffentlichkeit tragen. Den Karten ist ein Essay beigegeben, der das jeweilige Thema umfassend beschreibt. Den Anfang macht der fotografische Nachlass der Kunstanstalt Brügger in Meiringen (Berner Oberland). Über Jahrzehnte lichteten deren Mitarbeiter Hotelanlagen in der ganzen Schweiz ab. Dabei handelte es sich um Auftragsfotografie zu Werbezwecken. 2013 ging der gesamte Bestand der Kunstanstalt mit 97 000 Bildern an die Sammlung des Alpinen Museum über. Die hier publizierten Bilder zeigen eine Auswahl von Swimmingpools in den Schweizer Bergen. Das eigene Schwimmbad adelte so manches Hotel und verhalf zu einem zusätzlichen Stern. Künstlichkeit und Natur, Chlorwasser und Alpenblicke finden in diesen Fotografien in einer ganz speziellen Harmonie zusammen.

Der fast schon legendäre Zürcher Künstler Walter Pfeiffer präsentiert in seinem neuen Buch über 100 Porträts von Frauen. Die Arbeiten sind fast allesamt unveröffentlicht und zeigen eine neue Facette in Pfeiffers Werk.

Pfeiffer benutzt souverän die Bildersprachen hoher Kunst und trivialer Werbung, inszeniert mit einfachen Mitteln kluge und klassische Bilder von Schönheit und Glück, immer im melancholischen Wissen um Künstlichkeit und Spiel. Stilsicher, assoziativ und unverschämt erotisch fügt er seine Bilder zu einer Enzyklopädie der Sehnsucht.

«Listig und elegant entziehen sich Walter Pfeiffers Fotografien allen Einordnungsversuchen und umreissen eine eigene Welt in der Schwebe zwischen Sein und Schein. Sie verweigern sich der mit ernstem Nachdruck geführten Zeigegeste der Dokumentarfotografie, bei der sich die Fotografie in einem vermeintlich linearen Wirklichkeitsbezug erschöpft, aber auch der reinen Lust an der filmischen Phantasmagorie, die die inszenierte Fotografie der letzten Jahre prägte. Vielmehr sind Pfeiffers Bilder utopische Variationen über die Wirklichkeit, die das platt feststellende ‹Es war so› der Dokumentaristen durch das erzählerische ‹Es war einmal› des Märchens ersetzen.» 

Gebunden, 188 Seiten, 133 Farbabbildungen

The fourth volume in Jack Pierson’s celebrated Tomorrow’s Man artist book series mixes imagery from all spectrums of the visual landscape into a single mediation on the world around us. Combining archival material together with contributions by emerging and established artists, Tomorrow’s Man 4 continues on where the earlier volumes left off. Mixed together in its signature all over design format this installment showcases historical pen and ink sketches by John Tottenham, hummingbird portraits by Brian Calvin, glazed ceramic constructions by Liz Larner, and deadpan street shots by Trevor Hernandez (better known to many by his Instagram handle Gang Culture) together with contributions by Cali Dewitt, Paul Mpagi Sepuya, Lily Stockman, Richard Tinkler, and Evan Whale.

The title, Tomorrow’s Man, comes from an infamous bodybuilding magazine from the 1950s and ‘60s. Reappropriating the publication’s title as well as its retro bodybuilding aesthetic, Pierson takes viewers on a dizzying visual journey encompassing the full spectrum of cultural references. Includes a four large fold-out posters

Published by Bywater Bros. Editions, 2017
104 pages, softcover
10 x 7.25 inches / 25.4 x 18.4 cm

This book is the third volume in Jack Pierson’s ground-breaking Tomorrow’s Man series, in which the artist has assembled an art-fueled creative collaboration that harkens back to the thirteen volumes of The Yellow Book published between 1894-1897. Whereas the first two Tomorrow’s Man volumes implied an increasing density of layered imagery and over twenty-five artists, Tomorrow’s Man 3 amplifies the work of just four artists. Richard Tinkler’s delicate geometric abstractions are highlighted once again, working in concert with Pierson’s recent series of figure studies; activist text works by Peter Fend that cry out for environmental justice; and a short story by Veralyn Behenna entitled ‘The Flavor of Your Wish’ in which an expatriate woman contemplates masculine beauty in a Grecian taverna. This is the first time Tomorrow’s Man has included previously unpublished work by Pierson.

Woven into a poetic framework of connections, the resulting narrative takes the Tomorrow’s Man series into new terrain that combines the vernacular of classic photography with the urgent, geo-political narratives of Fend’s texts, and the psychedelic reverberations of Tinkler’s drawings. The result is a publication that is itself a collaborative work of art which, with Pierson’s creative hand, manages to highlight each contributor, while simultaneously melding everything into a sophisticated mediation on culture and nature.

Published by Bywater Bros. Editions, 2015
120 pages, softcover
10 x 7.25 inches / 25.4 x 18.4 cm

Getaway is a photobook that plays out in a parallel universe a little closer to the sun. The Canary Islands – almost exclusively a holiday destination for more than 3 million western tourists a year – is the backdrop of this performance. Five Danish photographers have been on a photographic expedition to this lost and blazing world and the book is a collection of images they brought back with them.

Getaway is about a place where we enjoy, dream, escape, recover and confront the absence of everyday life. That temporary reality we call vacation.

Bio:
Ulrik Jantzen, Kasper Witte Larsen, Emil Jakobsen, Simon Caspersen and Kasper Kristoffersen work together in the photo collective Büro Jantzen. The collective was founded by Ulrik Jantzen, who graduated from the School of Journalism in Denmark, and who, over the past 15 years, has made his mark on the photographic scene in Denmark. Büro Jantzen has exhibited at multible galleries and museums in Denmark and abroad, won several  photographic awards and published a number of photobooks.

• Softcover
• ISBN 978-87-970520-4-4
• 16.5 x 22.5 cm
• 80 color photographs
• 144 pages
• Preface in Danish
• Published September 2019

Limited edition of 500

Printed in Denmark by Narayana Press

Issue #3: White Sindrom

In this issue:

The third issue, White Sindrom, explores our own interpretation of white through the concept of a blank canvas—a starting point for every story in this issue.

For us, a blank canvas is not only an object in a painter’s atelier. It is the possibilities of nothingness reaching beyond, and it represents the transitions between creativity, emptiness, minimalism, balance, calmness and perfectionism, the main themes this issue explores throughout its 186 pages.

We present the blank canvas of different creatives across multiple industries. These include writer Agnese Kleina (Benji Knewman), illustrator Maria Sainte, poet Phoebe Wang, photographer and set designer duo Paris se quema, architect Andrew Trotter, stylist Denis Bjerregaard, graphic designer Luke Hayman, and many more. We take on topics such as the creative block, old age, the stigma of creativity, the work-life balance, wiping the slate clean, emotional minimalism, among many others - through conceptual, carefully curated editorials, thought pieces and visual essays.

Last images credits: Julie Bjarnhoff, Thomas Wiuf Schwartz

Issue #2: Yellow Sindrom

In this issue:

The second issue, Yellow Sindrom, delves into design, lifestyle and culture through the lens of ‘yellow’ feelings, such as happiness, optimism, friendship, anxiety and jealousy.

We talked to emerging artists such as Wang & Söderström, Zsofia Kollar and Le Morandine, and work with many extremely talented photographers, artists, and writers, in order to bring you a yellow emotional rollercoaster that unfolds within 182 colourful pages. 

We take on topics such as the societal pressure of putting on a happy face, inappropriate jokes, emojis, junk food, blonde hair—and so much more—through conceptual, carefully curated editorials, thought pieces, and visual essays.

GUP #64 - Silhouette

A silhouette is a form of abstraction: a deduced entity, of which we can recognise only the most basic shape. But does its contours mask or reveal the true nature of something?

In this issue of GUP Magazine, we acknowledge the wide variety of conceptual approaches to abstract photography. Whether it comes from a bird's-eye view on Polish snowscapes (Kacper Kowalski) prints enhanced with gold leaf (Carolle Bénitah) or handmade maquettes that make for uncanny interiors (Popel Coumou). Whether outlining the quintessence of contemporary urban conflict (Ulrich Lebeuf), offering kaleidoscopic impressions of late-capitalist university spaces (Andrea Grützner) or giving expression to feelings experienced (Philp J. Brittan). We have it all covered.

As is customary, GUP also features an abundance of emerging talent. Egor Fedosov - born in the 21st century!) is inspired by the biblical story of Adam and Eve. Igor Pjörrt finds an interest in Betelgeuse (one of the largest stars visible to the naked eye) and applies its explosive potential metaphorically, creatively translating the complications of long-distance love. Antigone Kourakou's renewed interpretations of classic motifs are as beautiful as her own name.

We also acknowledge the rising career of Ana Zibelnik, the winner of our debuting New Dutch Photography Talent Award.

 Cover photo by Igor Pjörrt.

Self Service magazine is a Paris-based fashion and culture biannual.

Self Service Magazine is a fashion and cultural biannual magazine, widely referred to as the leading publication in the fashion and luxury industry. Self Service Magazine features the preeminent players in the fashion world, with innovative editorials photographed by the world's best photographers and stylists.

About Elska 27 (Warsaw, Poland):

Elska Warsaw is our twenty-seventh issue and our first made in Poland. Here is a country witnessing a massive upswing in homophobia, and as conservative voices get louder, queer voices need to be heard. So we decided to come lend a hand and spread a bit of homosexual propaganda.

Inside this issue you'll meet a selection of ordinary gay Varsovians who have shared their bodies and stories with us. Let's celebrate their courage and their don't-give-a-fuck attitudes. It's what Poland needs, it's what the world needs now.

Features images of / stories from: Maciek K, Lew Ż, Mateusz D, Arkadiusz M, Maciek P, Marcin C, Henryk M, Daniel U, Aleksander N, Sebastian G, and a Q&A with Emilio V.

We also recommend ordering Elska Ekstra Warsaw, available as part of the “bundle” , for loads of outtakes, a behind the scenes diary of our Warsaw trip, and to meet the following additional Warsaw boys: Krzysztof I, Mateusz M, Michał M, and Tom S.

Details and Specs:

Elska Warsaw is 196 pages. The print version is 170mm x 240mm (approx 6.7 x 9.4 in), full colour, sewn-bound, offset-printed, and on 130gsm (90lb) internal matte paper and 280gsm (110lb) textured coated coverage paper with flaps. One random Elska Collectors' Postcard is inserted inside.

About Elska 24 (Guadalajara, Mexico):

Elska Guadalajara is our twenty-fourth issue and our second to be shot in Latin America, following our popular Elska Bogotá project. Aside from sharing a Spanish colonial legacy and language, you'll also find that the men are some of the most open, proud, and daring we've met yet. If our Bogotá issue was our most naked issue ever, then this one is even more naked! So yes, the cover (sans censorship kitty) is totally appropriate!

But why Guadalajara? If you're looking at this wondering why our first Mexican issue was made here and not in Mexico City, then you only need to meet a Tapatio man who'll tell you quickly how his city of Guadalajara is the true gay capital of the country. It's this pride that convinced us to come here and made us fall in love with the city.

Inside this issue you'll get to know a sampling of local guys who we met on our trip, presented through honest photography and intimate storytelling. Some of the men you'll meet in Elska Guadalajara include:

• Daniel R, who talks about how he was able to come out of his shell, with a bit of blind bravery and a bit of trying to impress a crush;

• Alejandro G, who opens up about the pain of now being alone in a city whose every corner reminds him of his love, and waits for the day that they can be reunited;

• Iván D, who reflects on meeting a straight man who really touched his heart, showing the value of our hetero allies who can be loved and not only feared;

• Andrés A, who divulges the intimate details of a hook-up with a guy he met at the gym who he thought was out of his league, imparting a new confidence and convincing him to take more chances.

Features images of / stories from: Tom P, Daniel R, Iván D, Alejandro G, Luis V, Teo C, Alejandro S, Andrés A; plus our reader Q&A featuring Troy Tsai.

Includes texts in English and Spanish (followed by English translations)

Details and Specs:

Elska Guadalajara is 180 pages. The print version is 170mm x 240mm (approx 6.7 x 9.4 in), full colour, sewn-bound, offset-printed, and on 130gsm (90lb) internal matte paper and 280gsm (110lb) textured coated coverage paper with flaps. One random Elska Collectors' Postcard is inserted inside.

About Elska 22 (Stockholm, Sweden):

Elska Stockholm is our twenty-second issue and the first in our new bigger and better format, including a new paper stock, a textured cover with flaps, a more spacious layout, and a larger page size and increased page count. If you don't already collect Elskas, then now is the time to start.

Stockholm is an incredibly beautiful city, set on a series of islands and full of grand old buildings and handsome streets. We chose to visit in the winter, hoping for a setting full of snow and ice, which we got. We also got some of the warmest and cosiest selection of images yet. The men we met were photographed wrapped up in hats and coats and scarves outside and then half-naked in cosy jumpers and nothing else at home, or in nothing at all (but with the heat cranked up).

Stockholm is our third issue set in the Nordic region (after Elska Reykjavík and Elska Helsinki) and there are definitely some similarities both in the looks of the men, in their attitudes, and in the stories they wrote. There's a coolness, perhaps even an aloofness about them, giving a sense in their personal stories that it wasn't easy for them to open up. There's also a certain shyness, or perhaps a lagom-influenced desire to be understated, which is apparent in the way that their images are more off-guard and relaxed than in images from some other Elska issues like Los Angeles or London. There's also a bit of sadness, or at least of tentativeness, in their stories, perhaps influenced by the fact that we met these men in the cold dark winter.

Inside this issue you'll get to know the real Stockholm through the experiences of a random set of men from the local LGBTQ community who we met during our visit. Each was photographed in a natural, documentary-like style in the city and in their homes, and each contributed a personal story to help you readers get to know them at an even more intimate level. 

Some of the men you'll meet in Elska Stockholm include:

• Linus L, who talks about what good can come from letting go of self-consciousness and preconceptions about others;

• Albin H, who recounts the moment when he finally came to accept himself for his differences, and to view what he thought was a negative as a positive;

• Martin FJ, who confronts his cynicism towards relationships after a night spent with another guy from a hook-up app;

• Andreas S, who wonders if he's the 'wrong type of gay' or if it's OK to just be himself;

• Patrik G, who looks back at the rise, fall, and re-emergence of LGBTQ culture in Stockholm;

• Mathis F, who speaks of the frustrating duality of this city that contains both beauty and misery.

   

Features images of / stories from: Patrik G, Linus L, Albin H, Jonas P, Ross K, Tomas A, Mikael L, Andreas S, Mathis F, Martin FJ, and Tin Nguyen.

Details and Specs:

Elska Stockholm is 200 pages. The print version is 170mm x 240mm (approx 6.7 x 9.4 in), full colour, sewn-bound, offset-printed, and on 130gsm (90lb) internal matte paper and 280gsm (110lb) textured coated coverage paper with flaps. One random Elska Collectors' Postcard is inserted inside.

About Elska 19 (London, England):

Our nineteenth Elska Magazine issue is our second to be made in the UK, but our first to be made in England. Inside, readers are introduced to fifteen men from the local gay/queer community. Each get their own chapter containing a personal story they wrote from their life in the city, and several intimate and unairbrushed images shot of them inside their homes and out in their neighbourhoods. None are hired models or celebrities, none of the scenes are staged, and none of the stories are commissioned, resulting in an honest glimpse at gay lives in the British capital.

Living in London is vastly different to what tourists see and experience, which is why the images don't show what you might expect - there's no Buckingham Palace or even a Gherkin in the background. The stories are rather more real as well, and in the case of our London issue, often a bit dark. 

Some of the fifteen men you'll meet in Elska London include:

• Tommy M, who talked about the fabulous gay life he dreamed of as a teenager, eventually moving to London from his native Lithuania to find year after year of his expectations being shattered;

• Harry F, who shared a recent experience dealing with a barrage of homophobia from a punter at his local pub, something he didn’t expect to happen in this city and in 2018;

• Omar B, who wrote about learning to accept loneliness as a normal part of London life, and learning how to flourish anyway;

• Jamie T, who opened up about a sexually unwelcome experience at a work function and how the #MeToo movement has barely reached the LGBTQ community;

• Brad C; who discussed the trials of dating in the capital in a colourfully detailed and most explicit way that transports you into the city's pubs, parks, and bedrooms.

Features images of / stories from: Omar B, Dylan T, Darren B, Jose C, Jamie T, Alex L, Wellie Y, Sean B, Kamil M, Harry F, Tommy M, Brad C, Victor U-K, Konstantin Z, and Thomas G.

Details and Specs:

Elska London is 180 pages. The print version is A5 (24cm x 14.8cm / 5.8 x 8.3 in), full colour, perfect-bound, and on 130gsm (90lb) matte paper. One random Elska Collectors' Postcard is inserted inside.

Details and Specs:

Elska Berlin is 180 pages. The print version is 170mm x 240mm (approx 6.7 x 9.4 in), full colour, sewn-bound, offset-printed, and on 130gsm (90lb) internal matte paper and 280gsm (110lb) textured coated coverage paper with flaps. One random Elska Collectors' Postcard is inserted inside.

Elska Berlin is our second issue, made in one of the world's gay meccas. It quickly too became one of our most popular issues ever, and after selling out some time ago (and receiving loads of requests to make more), we finally decided to reissue it. However, we didn't do a simple reprint. We decided to redo the issue completely, going into our Berlin archives and selecting each image and story from scratch. The result is over 50% previously unpublished images, making the new Elska Berlin attractive for old and new customers alike. We also chose to redo the print version in our new bigger and lovelier format, making it all the more attractive.

The issue is divided into twelve chapters, each dedicated to one particular man who the Elska team met on their trip to Berlin. Each chapter includes a dozen or so images, taken of the subject both in the city streets and at home, dressed in their own style or often nude. Each chapter also includes a personal story contributed by each guy, sort of like an intimate conversation or diary entry. The goal of the magazine is to act as a sort of virtual transport to the city, inviting readers to meet a selection of local guys, get to know them, and fall in love with them and the city.

Features images of / stories from: Bastian C, Marc Y, Diego S, Luca T, Roman T, Emil T, Colin C, Falko D, David P, Heiko M, Matija M, and Raphael K.

We also recommend ordering Elska Ekstra Berlin, available separately, for loads of outtakes, a behind the scenes diary of our Berlin trip, and to meet the following additional men: Shir N, Luca T, Alessandro G, Adam G, Ticha T, and Max E.

The photography of ‘Elska Berlin’ and ‘Elska Ekstra Berlin’ includes work by Liam Campbell, Fedya Ili, Jonathan Lemieux, and Andriy Melnyk. The stories are written by the subjects themselves.

Details and Specs:

Elska Berlin is 180 pages. The print version is 170mm x 240mm (approx 6.7 x 9.4 in), full colour, sewn-bound, offset-printed, and on 130gsm (90lb) internal matte paper and 280gsm (110lb) textured coated coverage paper with flaps. One random Elska Collectors' Postcard is inserted inside.

Foam Magazine #55 Talent (2020) | Cover Alba Zari

3,238 projects, by 1,619 authors, born between 1983 and 2001, coming from 69 different countries. A total of 3,457 images. The 2020 edition of the Foam Magazine Talent Issue contains a selection of 20 artists from a fascinating pool of submissions. A wide spectrum of themes, techniques and approaches that once again lets us say — yes, photography is very well alive and in very good health. As it is alive, it is changing, evolving, creating ramifications and cross-pollinating. Most importantly, as the access to opportunity increases, the panorama becomes more and more fertile — and it’s beautifully blossoming.

The Talent Issue this year is even more special: for the first time in the history of Foam Magazine we are releasing two different covers, one with an image by Kamonlak Sukchai and the other by Alba Zari. These two wonderful images represent the extremes of the very broad spectrum in image making that we had the honour of exploring while browsing the submissions of the Talent Call. We also present a conversation between Mariama Attah and Ghanaian artist Eric Gyamfi, who was part of the Talents 2019 and then winner of the Paul Huf Award 2019. While we were almost ready to print, we received fantastic news: for the second time, Foam Magazine has received the award for Best Magazine of the Year by the Lucie Foundation, announced during a gala at the Carnegie Hall in New York!

CONTRIBUTING PHOTOGRAPHERS AND ARTISTS

Aàdesokan, Sofia Borges, Adji Dieye, Rahima Gambo, Eric Gyamfi, Karla Hiraldo Voleau, Benoît Jeannet, Tommy Kha, Luther Konadu, Simon Lehner, Matthew Leifheit, Alexandra Lethbridge, Elsa Leydier, Douglas Mandry, Pat Martin, Philip Montgomery, Camillo Pasquarelli, Anastasia Samoylova, Simone Sapienza, George Selley, Micha Serraf, Hashem Shakeri, Gao Shang, Kamonlak Sukchai, Dustin Thierry, Guanyu Xu, Yorgos Yatromanolakis, Ali Zanjani, Alba Zari

CONTRIBUTING WRITERS

Mariama Attah, Henri Badaröh, Iatã Cannabrava, Brian Curtin, Christa Dee, Marcel Feil, Brad Feuerhelm, Allen Frame, Anahita Ghabaian Etehadieh, Taco Hidde Bakker, John Hilliard, Kim Knoppers, Mirjam Kooiman, Russet Lederman, Diane Lima, Shaka McGlotten, Elisa Medde, Marc Mouarkech, Azu Nwagbogu, Iheanyi Onwuegbucha, Jaime Lowe, Liz Sales, Aaron Schuman, Shamita Sharmacharja, Diane Smyth, Valentine Umansky, Leslie Wilson, Duncan Wooldridge

Foam Magazine has been awarded several prizes for both its high-grade graphic design and the quality of its content. Most recently, Foam Magazine was awarded Photography Magazine of the Year at the Lucie Awards 2017 and 2019.

R:EVOLUTION

Welcome to the future. We warned you about it and now it’s here.

It is the space between humans and machines, that small gap that separates the artificial and the natural.

Perfection.

Human consciousness and artificial intelligence coexist as one to create a revolution, which transcends the human body and its limitations.

This is real.
Are you real? Or are you just a wish tucked in your head so that you can feel more human?

We are freed of morals imposed by religions, and we can finally reclaim the right to predispose of our own nature without ethical limits.

This is Heaven on Earth where each one of us is God, improved and immortal, freed of the tyranny of a brutally short life.

We can finally feel our humanity. This is the future. Enter with caution.

Cover 1 - Gosha

“The blade is so sharp that it will cut the clothes in which you are wrapped in"        

FRANCESCA CIOFFI at MONSTER photographed by GOSHA PAVLENKO. Styled by NASTYA SHERSHEN in VERSACE, PHILOSOPHY BY LORENZO SERAFINI and  NIKE.                          

Cover 2 - Matthieu

Cover 1 - Olimpia

RITA at LET IT GO photographed by OLIMPIA RENDE. Fashion by FABIANA VARDARO. Make Up by SABINA PINSONE at WE ARE COLLECTIVE INTEREST. Hair Styling by JANINA ZAIS at WE ARE COLLECTIVE INTEREST.

Cover 2 - Brick & Mortar - Dior

Right: DINA at BLARE MODEL MANAGEMENT and EMY at ELITE SPAIN photographed by ANASTASIA EKHLAKOVA. Fashion by SWETLANA BRIK-JONES. Make Up and Hair Styling by ANA SÁNCHEZ-PEÑA for DIOR and KEVIN MURPHY.

total look DIOR.                                                                             

“Open your eyes...Is this world a joke? Is this world a no-rules jungle in which only success, ambition, money matters? We don’t want to loose the pleasure to eat, to make love, why do we want to loose the pleasure to breathe pure air? The Amazon rainforest is burning. Glaciers are melting fast. Imagine living without your lungs, just like the earth is doing right now. So now close your eyes...Picture yourself in the future, do you have the strength to think about it? We lost this skill, because we just care about what we can have now and in the fastest way possible. We put our faith into “destiny” to resolve our problems, we don’t care about the others, we don’t care about our long-time friend called Earth...

Wake up! We forgot that that’s our biggest gift! Let’s start to treat the Earth as our most luxurious, inestimable, precious friend.

She/He deserves it”.

Special thanks to our contributors:

Anastasia Ekhlakova, Birdman, Bryan Torres, Claus Troelsgaard, Fabiana Vardaro, Francisco Ugarte, Frank Hülsbömer, Gabriele Rosati, Giulia Meterangelis, Giuseppe Triscari, Izabella Bielawska, Jack Taylor Lovatt, Jamily Wernke Meurer, Lucia Giustozzi, Michael Lawrence, Olimpia Rende, Paolo Leonori, Sabrina Mastrangelo, Swetlana Brik-Jones, Tanya Ling, Wiktor Malinowski, Yangze.

Toiletpaper

Toiletpaper is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, ‘Toiletpaper’ has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.