







208 products
Gossamer – Issue 6
Regular price SFr. 24.00 Save Liquid error (product-template line 127): -Infinity%When we first chose the theme for this issue, we didn’t intend for it to be quite so on the nose.
“Garbage” had long been on our list of topics to cover in our normally abnormal way. It’s weird, but also deeply sensory—someone says the word garbage and you can immediately picture it (and smell it, too). After an edible and a few puffs, we started to wonder what a different perspective on garbage could look like. Plus, the idea of calling something the “Garbage Issue” just made us laugh. And so, here we are.
Volume Six includes Conversations with chef Sophia Roe, activist Emily Barker, designer Sarah Nsikak, and writer Anand Giridharadas; meditations on space junk, garbage time, houseflies, and loss; and art by Arielle Bobb Willis, Rajni Jacques, Ekua King, and David Brandon Geeting; and much, much more. We hope Volume Six offers some kind of escape. After all, like five o’clock, it’s always garbage somewhere.
Provence – SS21
Regular price SFr. 19.00 Save Liquid error (product-template line 127): -Infinity%PROVENCE is an independently published bi-annual contemporary art journal established 2009 and based since 2018 in Zurich. The core of the publications is formed of conversations between artists, curators, writers and designers. Additional in-depth features and editorials deal with contemporary culture at large, covering fashion, literature, photography, film, design and architecture. PROVENCE embraces print not as a carrier of disposable information but as a container, box, an archive, a chronicler, a discursive platform of issues of our times. PROVENCE designs and produces each journal to let it become a collectors including often merchandise and editions such as stickers, a fold out poster, buttons or set of postcards. PROVENCE as a publication and para-artist has been presented within exhibitions at amongst other MoMA, New York; Kunsthalle Zurich; Artists Space, New York; Kunstverein Düsseldorf; Kunstverein Heidelberg; Kunsthaus Glarus; Kunsthalle Vienna.
Juxtapoz – Issue 217
Regular price SFr. 16.00 Save Liquid error (product-template line 127): -Infinity%This is a new year, and in so many ways, it feels like a fresh start. We didn’t really get a 2020, at least in the ways we thought we would. It got us thinking about the ones we lean on, those we look to for inspiration, and that is why our Spring 2021 cover by Yusuke Hanai offers reason for hope and support. It is so clear; friends supporting each other in times of trouble. Such directness guides us in leaving the last year (or four) behind. Yusuke is a rare, humble talent who can convey truth for a collective consciousness. This Spring, our quarterly focuses on forthright honesty and a sense of possibility, from Yusuke to Chris Martin, Tiffany Alfonseca to Ryan Travis Christian.
The full Spring 2021 lineup includes Yusuke Hanai, Amoako Boafo, Ania Hobson, Hernan Bas, Tiffany Alfonseca, Ryan Travis Christian, Shannon T Lewis, En Iwamura, Cathrin Hoffmann, Helen Bur, Christopher Martin, Tony Toscani, Khalik Allah, Yinka Ilori, Alexandra Sipa and more!
Adbusters – Issue 153
Regular price SFr. 16.00 Save Liquid error (product-template line 127): -Infinity%AB 153: The New Left
Let’s get into something personal right off the hop. Let's talk about resistance.
Resistance is what people feel when they just can’t face what needs to be done. Something important is right in front of them, but it’s so hairy, so scary in its implications on their life, their cozy way of keeping on keeping on, that they can’t deal with it.
Resistance grips us when our very soul recognizes just how much is on the line. Like right now.
Caught in an existential crisis with no obvious way out, we begin to question the hidden coordinates of our reality and start thinking about a new operating system for Planet Earth. We hatch a new grand narrative, a set of ideas so fundamental, so systemic, so profound that a sane sustainable future is unthinkable without them.
And then we deploy them.
In this 200-page mindbomb, we unleash a movement that operates completely outside of geographic borders and political structures — the Third Force — to revitalize the forces of resistance and point the way to a future that computes.
Cultural Bulletin – Issue E
Regular price SFr. 16.00 Save Liquid error (product-template line 127): -Infinity%Identity, whether individual, shared or otherwise is inextricably tied to place – the two are connected on both the micro and macro level. Throughout Issue E, we look at various situations in which place informs identity: the identity of a culture, the identity of a building, the memories of an individual, the history of a movement, the collective identity of a species in relation to climate change and the subdivisions that occur when trying to address it.
We begin in Calais as a starting point for discussing the wider refugee crisis in the world. Insight is gained into the lives of people who are displaced, having left their homes and generational history behind in a desperate hope of finding a new place. Art historian Andrew Graham-Dixon looks at “multicultural masterpiece”, Monreale as an unlikely symbol and metaphor for a positive, creative outcome that can occur when differing cultures collaborate.
Writer R.C. Clarke analyses musician, Actress’ album Ghettoville as a way to understand how the erosion of a sense of place dislocates people from the cultures they created for themselves. In this instance, the article focusses on the white-washing of techno, a historically Black movement.
Jung Ah Hwang’s images, which are featured on the cover and throughout the issue, stem from a project called Dead Letter. Hwang, having moved home frequently as a child, explores the connection between the fading memories of places once they have been left behind and/or demolished and the impact that has on ones identity.
Editor Tom Silver’s article Stichting Kriterion: More Than Cinema, documents the student led cinema and movement that saved thousands of Jewish lives. It was an instance where the definition and identity of a place was greatly shifted and repurposed due to extreme circumstance.
A final narrative that runs through the magazine is the most elemental relationship between identity and place: humans and earth. Karina Castro’s images document the human domination of Earth’s landscape. Finally, Abigail Allan’s piece explores how the UK class system plays a part in shaping the populations sense of
identity with relation to climate change.
Featuring:
The Gig by Jenny Hval
Dead Letter by Jung Ah Hwang
Conversations from Calais
Monrale by Anthony Graham Dixon
Interview: Vanligt Folk
Interview: Jung Ah Hwang
Stichting Kriterion: More Than Cinema by Tom Silver
Ghettoville: An Ode to Forgotten Black Geometries by R.C Clarke
No Choice: Climate Change and the UK’s Working Class By Abigail Allan
Human Domination on Earth by Karina Castro
52 pgs, 29.7 × 21 cm, Softcover, 2020,
Index Magazine – Issue 3
Regular price SFr. 24.00 Save Liquid error (product-template line 127): -Infinity%SSUE Nº03: JOURNEY
Key Features
Art
Hans Ulrich Obrist, Hank Willis Thomas, Oscar Tuazon, Sophie Calle, Shane Cotton, Sione Tuívailala Monū
Fashion
Archive with Sam Ranger, vintage with Flora Huddart and Tung Walsh, sustainability with Bridie Gilbert, NOM*d
Design
Green River Project LLC, Dean Edmonds
Contributors
Writers
Chloe Borich, Adam Bryce, Hannah Cole, Emily Dinsdale, Ivy Elrod, India Hendrikse, Kim Meredith, Skye Parrott, Emma Reeves
Fashion
Elle Britt, Flora Huddart, Sam Ranger, Bridie Gilbert
Photographers
Ben Benoliel, Alexandra Brodsky, Elinor Carucci, Myla Dalbesio, Flora Hanitijo, Derek Henderson, Tyler Mitchell, James Nelson, Daria Kobayashi Ritch, Hannah Scott-Stevenson, Mark Shearwood, Kat Slootsky, Pierre Toussaint, Tung Walsh
SYNOPSIS
IN THIS ISSUE, WE EXAMINE DIFFERENT FORMS OF JOURNEYS. THE WAY THAT ART CAN HELP TO CHANGE THE COURSE OF A COMMUNITY’S JOURNEY, ARTISTS’ OWN PERSONAL JOURNEYS AND THE NOTION THAT A GARMENT OR OBJECT HAS A JOURNEY BEFORE AND AFTER YOUR TIME WITH IT. UNFORTUNATELY, SOMETIMES THE JOURNEY PRIOR TO OUR CONSUMPTION COMES WITH SUSTAINABLE AND ETHICAL ISSUES BUT, IN MANY CASES, THAT JOURNEY IS FULL OF PASSIONATE THINKING, GOOD DESIGN AND CONSIDERED DECISION MAKING.
SPECS
176 PAGES
A4 (210MM W X 297MM H)
Different covers ship randomly for pre-orders.
Doesn't Exist – Issue 2
Regular price SFr. 24.00 Save Liquid error (product-template line 127): -Infinity%Frieze – Issue 218
Regular price SFr. 16.00 Save Liquid error (product-template line 127): -Infinity%“Sandra Mujinga’s work critiques the violence of representation – what it means to be in the spotlight as opposed to moving in the dark.” – Eric Otieno Sumba
In the April issue of frieze, Eric Otieno Sumba profiles artist Sandra Mujinga on the occasion of solo exhibitions at the Swiss Institute in New York and The Approach in London. After the opening of her Brooklyn Museum retrospective, artist Malik Gaines interviews Lorraine O’Grady. And Heather Phillipson answer our questionnaire.
Profile: Eric Otieno Sumba on Sandra Mujinga
“I’ve been thinking about whether I can at all appear as I wish to appear in this world. Or if there’s an impossibility to that.” Sandra Mujinga’s multimedia practice conjures spectres that haunt contemporary reality – from our dematerialized digital footprints to the ever-present ghosts of colonial history.
Interview: Malik Gaines and Lorraine O’Grady
“I make incisions into the skin of culture.” With a new collection of her writing published last autumn and a career retrospective on view at the Brooklyn Museum, Lorraine O’Grady speaks to writer and performer Malik Gaines about dismantling social hierarchies.
Also featuring
Natasha Stagg contributes ‘1500 words’ on how the ‘cyberpunk’ aesthetic shapes Chris Dorland’s painting on the heels of a recent solo presentation at Lyles & King in New York. Jennifer Higgie looks closely at how mirrors changed the way women have made art – and represented themselves – from the ancient world to the present. Kristian Vistrup Madsenresponds to an Allan Kaprow-inspired performance by Alex da Corte. Plus, a roundtable discussion between Gregg Bordowitz, Pamela Sneed, Sur Rodney Sur and Lynne Tillman links the exigencies of the AIDS pandemic to Covid-19.
Columns: The Garden
Charlie Gere connects London’s back-to-nature counterculture at the end of the 1960s to the rise of Thatcherism a decade later; Jennifer Kabat tracks how invasive weeds changed women’s lives in the early US; curator and artist Asad Raza writes about soil conservation projects and his personal practice; Julian Junyuan Feng falls for the rural idyll in the videos of Chinese mega-vlogger Li Ziqi; Catalina Lozano on Abel Rodriguez, Sheronawe Hakihiiwe, Elvira Espejo Ayca investigate archives of indigenous knowledge; and Francesca Gavin defines the mushroom futurism of our changing world.
About Frieze
Frieze is a media and events company that comprises three publications, frieze magazine, Frieze Masters Magazine and Frieze Week; and four international art fairs, Frieze London, Frieze LA, Frieze New York and Frieze Masters; a programme of courses and talks at Frieze Academy, and frieze.com - the definitive resource for contemporary art and culture.
History
Frieze was founded in 1991 by Amanda Sharp, Matthew Slotover and Tom Gidley with the launch of frieze magazine, a leading magazine of contemporary art and culture. Sharp and Slotover established Frieze London in 2003, one of the world’s most influential contemporary art fairs which takes place each October in The Regent’s Park, London. In 2012, Frieze launched Frieze New York taking place in May; and Frieze Masters, which coincides with Frieze London in October and is dedicated to art from ancient to modern. In February 2018, Frieze announced the launch of Frieze Los Angeles, opening February 14-17, 2019 in Paramount Pictures Studios. In 2016, Frieze also launched Frieze Academy, a year-round programme of talks and courses.
Novella – Issue 1 (Romance)
Regular price SFr. 29.00 Save Liquid error (product-template line 127): -Infinity%Novella is an annual-ish publication on fashion and an accompanying collection of fashion-adjacent items. Informed by the “compact and pointed plot” structure of the traditional novella, each collection and magazine attempts to weave a compelling narrative within the bounds of text and textiles.
In this first issue, we have asked contributors to take stock of their material world as it relates to fashion and romance. Within the following pages you will find an inventory of our research, artifacts, and reflections on these themes, ranging from insights into the use of apparel within romance fiction, clothing and compatibility within relationships, as well as reflections on the cultural symbolism of the wedding dress and the nostalgia of clothing from a not-too-distant past.
Novella Issue No.1, Romance measures 6” x 8.5”, with 136 pages, a pink softcover with otabind binding, and is offset printed in black and white with a color image gallery in the center. Front and back cover feature the editor’s letter, while the inner front flap features a tearaway bookmark that acts as a secondary table of contents to accompany the reader throughout the book.
21.59 × 15.24 cm, Softcover, 2020,
Para Journal – Issue 1
Regular price SFr. 23.00 Save Liquid error (product-template line 127): -Infinity%Para Jounral – Notes besides the point
assembles text an image.
Issue 1 is dedicated to getting lost. More than 30 friends and strangers, from Mexico City to Tiblisi, from Glasgow to Dar es Saalam contributed.
160 pages, B4
Lost in cables, lost in gadgets, technology and devices, lost in thoughts and memories, on outings, in images. Complexity and abundance (of things, options, hazards) allow for myriad ways to err and lose track, in often annoying, sometimes dangerous ways. Proximity – be it corporeal or virtual – puts us in constant touch with others, only to lose it with ourselves.
Etc pp, and on and on with the lamentation.
It is easy to denounce a lack of orientation in contemporary existence. Because, who does really know where we are and where we are headed. But then, who are we, and – is it actually so important to know, at all times? Isn’t it rather the obsession with tracking and knowing always and exactly where we are that causes so much of the confusion? Who cares.
In these pages we don’t, very much. On the contrary, and true to the name of the magazine PARA (parallel, against), here we celebrate, revel in, in any case get closer to the phenomenon of getting lost. We may follow down memories (what’s the point in that?), meander on unspectacular paths along insignificant streams going nowhere, reminisce about lost objects we may or may not miss, find ourselves in nondescript dead-ends, losing track of what just...
The feral peripheries, the unglamorous anti-climax, the empty field, the non-designed paved road cum gravel/plant/random sign... In the everyday we inhabit these places more often then we think (because we think of everything else but what’s in front of our eyes, or we just think about was has been put in front of our noses, mainly screens). So we want to explore the fully-charted territory, again, to discover anew what it can all mean – because nothing is forever. It’s to inject the anti-serum of presence in absence into inescapable dullness – romanticism after irony.
This sounds all quite serious, solemn, and it is (yet not only). Transparency, information, happiness - if there’s too much of them, they become oppressive, especially when the aspiration to deliver on them becomes normative. Plus (yes it’s a matter of quantity and measure) we miss the point on a much larger issue: it is impossible to always get it right, logically but more importantly existentially. Failure is the ultimate point. And the animal that we are comes (often) on two legs, to wander and explore, try and err. Not allowing this coerces the world, reality, us into a mold that does away with the cherished pursuit of happiness information transparency. Thou shalt get lost!
ACT – Issue 3
Regular price SFr. 26.00 Save Liquid error (product-template line 127): -Infinity%See The ACT Creative Studios present the third issue of ACT Magazine, published under the title “White Noise” featuring the Lebanese artist 𝐙𝐞𝐢𝐧𝐚 𝐌𝐚𝐤𝐤𝐢
ACT magazine (Art, Culture, Talent) is an independent, Triannual Print magazine, founded in 2020 and based in Toronto. We aim to be a destination to satisfy your aesthetic hunger and a place to showcase unique, creative people and artists of all kinds.
The title of the third ACT is “White Noise”, the theme of this issue in itself. Get up close & personal In 134+ pages of beautiful design, editorials and interviews; be inspired and energized by our world, the World of ACT, full of color, opulence, fashion and positivity. issue no. 3 considers a future in which nothing can be taken for granted and a past that must be worshipped.
See The ACT Creative studios produces 100% of its content/editorials. act studios capabilities range from strategy to creation: cinematic, stylized and thoughtful film & photography, derived from an original understanding of culture; strategy, conception, direction, create, capture, post production.
Weltkunst – April 2021
Regular price SFr. 20.00 Save Liquid error (product-template line 127): -Infinity%WELTKUNST 183/2021 "AMERIKAS MALERIN DER STUNDE"
Titelthema: Nina Chanel Abney - Amerikas Malerin der Stunde: Sie konfrontiert ihr Publikum mit unangenehmen Wahrheiten. Auf Bildern, die bunt und humorvoll daherkommen
• Was bewegt die Kunst? Die Galerien reagieren auf die Pandemie sehr unterschiedlich
• Die Unsichtbare: Mary Warburg war die starke Frau neben Aby Warburg. Nun wird sie auch als Künstlerin entdeckt
• Mit Gips und Grips: In einem Dorf in der Uckermark schafft Inge Mahn Objekte voller Witz und Seitenhiebe, die derzeit neue Aufmerksamkeit erfahren
• Antike im Jungbrunnen: Die Münchner Glyptothek eröffnet nach mehrjähriger Sanierung mit dem Bildhauer Bertel Thorvaldsen
• Auktionen: In New York präsentiert Christie’s die Sammlung Rosenberg, Kunst bei Döbritz, wertvolle Bücher bei Bassenge, Neumeister mit seiner Frühjahrsauktion
The Plant – Issue 16
Regular price SFr. 27.00 Save Liquid error (product-template line 127): -Infinity%Besides providing botanical content in a simple, personal and cozy way; The Plant offers plant lovers a new look at greenery by featuring the works of many creative people who share our love for plants.
As a curious observer of ordinary plants and other greenery, the magazine presents a monograph on a specific plant; bringing together photographers, illustrators, designers, musicians, writers and visual artists, both established and emerging, from all over the world.
These people share with The Plant their unique perceptions and experiences of plants.
Tom of Finland – The Official Life and Work of a Gay Hero
Regular price SFr. 43.50 Save Liquid error (product-template line 127): -Infinity%Tom of Finland (born Tuoko Laaksonen, 1920–1991), was an iconic and ground-breaking artist who rose to cult status in the international queer community and beyond for his work celebrating the male figure and masculinity during a time when being homosexual was taboo. Created in partnership with Tom of Finland Foundation, Tom of Finland: The Official Life and Work of a Gay Hero is a beautifully detailed account full of never, or rarely seen, materials from his archive. The text was completed just a few months before the death of the artist and he was interviewed at length for it—making this book the only fully approved biography of the legend responsible for creating the muscled, mustachioed gay archetype of the 1960s and '70s. With a foreword by Jean Paul Gaultier, an extensive history, and provocative photos and illustrations, Tom of Finland: The Official Life and Work of a Gay Hero brings to life the story of the icon whose erotic depictions of men influenced many artists, including Robert Mapplethorpe and Bruce Weber.
Philadelphia native F. Valentine Hooven III is a freelance writer and illustrator who lives in Palm Springs. In the years leading up to Tom of Finland’s death, Hooven wrote Tom’s biography, tracing the evolution and impact of his art on the world.
Pfeil Magazine – Issue 13
Regular price SFr. 19.00 Save Liquid error (product-template line 127): -Infinity%Pfeil Magazine #13 – Mother
The notion of a mother seems simple enough. But just one shy cut beneath the surface lies a multitude of facets, problems, questions, contradictions and wonders all connected to the idea of maternity. Biologically speaking, every person has a mother; perhaps it is the one fact we all have in common. Nevertheless this issue, dedicated to Mother, raises more questions than it is able to answer. Precisely because everyone appears to understand what a mother is, many crucial aspects of the topic are never questioned and are instead taken as a given. Is a mother defined by just having a child, or is it a child that defines the mother? Can we look at the mother without assuming womanhood? Can we untie the gendered attributes bound to the role of a mother? And what exactly are the notions of gender and sex that are connected to the common idea of motherhood? Where do they stem from? What kind of social, biological and economic pressure do mothers and potential mothers face?
In this issue, we explore alternative family structures and how responsibilities of parenting might be shared; prevailing working conditions for mothers in the arts; difficulties, challenges and prejudices mothers face in their professional lives, and what an ideal work environment might look like. Simultaneously, this issue deals with disappointments and unfulfilled expectations in the mother-child relationship, and again at that relationship in the social context. We picture the past and the present in the process of envisioning what maternity could look like in the future
Contributors
Adrian Williams, A.L. Steiner, Alexander Rischer, A.M. Bang, Andrew Stone, Anne Döring, Axel Loytved, Burk Koller, Ceyenne Doroshow, Eva Ďurovec, Flaka Haliti, Hanne Lippard, Henrik Olesen, Johannes Sturm, Julie Béna, Katharina Bosse, Lauren Strom-Berg, Lena Greene, Lila de Magalhaes, Lili Reynaud Dewar, Matheus Rocha Pitta, Nadine Droste, Nicola Gördes, Nicolaas Schmidt, Patricia Gray, Penny Goring, Peter Piller, Raphaela Vogel, Stella Rossié, Ulla von Brandenburg, Vincent Ramos.
Editors
Anja Dietmann, Tobias Peper
ISBN 978-1-9160634-9-5
Year: 2020
Format: 230 × 330 mm
Binding: perfect bound
Pages: 78
Fugues by Nicole Maria Winkler
Regular price SFr. 22.00 Save Liquid error (product-template line 127): -Infinity%Synchron – Issue 1
Regular price SFr. 26.00 Save Liquid error (product-template line 127): -Infinity%This magazine is PACKED with the most contemporary art, teasing fiction, raw statements by international artists and the best thing: no ads - 128 pages PURE content.
(little spoiler)
INTERVIEWS
Andromeda! (Cover 1) by Lena-Grace Suda, talking to Edo Oliver in Tokyo about inspirations of his drag persona, growing up in Mexico, K-Pop dance groups and much, much more <3
Eirik Falckner - Multidisciplinary student of fine arts in Bergen, Norway. Taking you into nature, a "dark and powerful side of nature" through his works. Interviewed by Synchron Magazine
The Sucklord - Godfather of bootleg toymaking spills some inside knowlegde in a conversation with Pavel Chernish, a toymaker and director himself. With a prologue by the one and only @tokyotoybastard Jeremy Mauney!
FICTION
Andre Harris "The process comes from a place of loneliness and boredom dug by the q - the rona. documenting a seemingly sensless world to control it, slow it down and ultimately find some sense in it." Prepare for disturbing fiction and practical facts about the house sparrow.
Jonathan Lyon's short story "Prologue To A Film That Never Begins, Called ‘The Actress Wins The Award‘" drags you in deeper with every sentence. You can not resist this scandalous film script...
VISUAL ARTISTS IN THIS ISSUE
Alexander Woloszynski + Amanda Bodell + Andromeda (cover 1) + Caroline Ballegaard + Edo Oliver + Erasmus Leinweber + Eirik Falckner + Francis Kussatz + Gothgirl96 + Jeremy Benkemoun + Jeronim Horvat + Jonathan Small + Jonathan Ungemach + Julia Rosenstock + Killian Butler + Kim Modig + Kodama999 + Kumi Sato + Léa Taillefer + Leander Kreissl + Lennart Mink Weber + Leonardo Grünig + Linnea Palmestål + Luna Naumer + Mika Schwarz (cover 2) + Niko Wu + Noemi Liv Nicolaisen + Olga Maria Bläsi + Ryo Koike + Sam Holzberg + Sophie Fitze + Sucklord
WRITERS x JOURNALISTS
Calissa Teiniker, Caroline Ballegaard, Johannes Farfsing, Jonathan Ungemach, Julian Weber, Lea Kloepel, Noémi Barbaglia, Niko Wu, Jost Wessel, Cccccoma, Mika Schwarz, Luna Faye Naumer Mateos, Léa Tailefer, Kim Modig, Marina Valle Noronha, Charlotte Noack
ISSN: Synchron / Visual Art and FictionISSN 2701-4630
Aesthetica – Issue 99
Regular price SFr. 14.90 Save Liquid error (product-template line 127): -Infinity%Trailblazers
Have you ever had a song stuck in your head for days, weeks, even months? Throughout this time period there have been a few that have stuck with me, In My Life by The Beatles, Sinnerman by Nina Simone and Take Me Home, Country Roads by John Denver. All of these songs must be 50+ years old, but they resonate with me, perhaps because they are all about memories, time and place.
We’re coming up to one year living in a pandemic. The global experiences of Covid are near immeasurable. For those of us who have never had the virus, or those who have had it and recovered, there must be a moment of reflection to appreciate just how very lucky we are. To all the families grieving for lost loved ones: I can’t even begin to understand your pain. For all the people who have been affected by loss of work, or for businesses that have had to close down: I am so genuinely sorry.
This life-changing virus has altered everything about the way we live and interact, think and engage. I am a glass-half-full kind of person; I guess I was born that way. I know that our lives will be marked by this forever, but when we come out the other side, we will be stronger and more resilient.
This issue features the work of several pioneers, innovators and trailblazers. We speak with Gulnara Samoilova about Women Street Photographers, a new book published by Prestel. We start off by looking at the canon of street photographers and notice how women are missing from this list, or those only added posthumously. Samoilova is using social media to propagate a new narrative.
We also look at Fotoclubismo: Brazilian Modernist Photography, 1946–1964, opening at MoMA in New York. It is the first major exhibition of its kind outside of Brazil, looking at São Paulo’s Foto-Cine Clube Bandeirante. Yet again, this show asks us to question the canon and really probe who is included and why. We are also fortunate to feature inspiring photographers exploring isolation, identity and the future. The Last Words go to Anna Dannemann about the Deutsche Börse Photography Foundation Prize.
Aesthetica Magazine is a worldwide destination for art and culture. In-depth features foreground today’s most innovative practitioners across art, design, photography, architecture, music and film. It has a readership of over 400,000 and national and international distribution.
Across the brand, we also produce a number of awards, exhibitions and events that are focused on talent development in art, photography, literature and film. The awards celebrate excellence from both new and established practitioners. These comprise the Aesthetica Short Film Festival, the Art Prize, the Future Now Symposium and the Creative Writing Award.
Coucou – Issue 94
Regular price SFr. 8.50 Save Liquid error (product-template line 127): -Infinity%Seit Dezember 2012 erscheint das Kulturmagazin Coucou monatlich in Winterthur. Das Magazin bietet auf über 50 Seiten Hintergrundberichte, Porträts, Musik-, Literatur-, Film- und Veranstaltungstipps sowie unterhaltende Kolumnen und einem Veranstaltungskalender zum Herausnehmen. Hoch- wie auch Populär- und Alternativkultur werden abgedeckt. So hilft Coucou mit, Kultur zu vermitteln und einem breiten Publikum zugänglich zu machen. Das Kulturmagazin setzt sich in erster Linie mit der Kulturlandschaft in Winterthur auseinander, greift aber auch überregionale und gesellschaftliche Themen auf. Das Coucou berichtet nicht nur über Kultur, sondern ist auch Kultur: Die «Page Blanche» bietet jungen Künstlern zudem die Chance, die Rückseite des A2-Kalenders in der Heftmitte zu gestalten.
Art in America – January/February 2021
Regular price SFr. 27.30 Save Liquid error (product-template line 127): -Infinity%Frankie – Issue 99
Regular price SFr. 19.00 Save Liquid error (product-template line 127): -Infinity%we hope you’ve been doing some push-ups and squats (or at least have a forklift handy), because issue 99 is out in the world today, and it sure is a biggun. tucked inside our summer bumper issue you’ll find a set of four postcards designed by fotini tikkou, a make-it-yourself pennant kit featuring fun art from luke john matthew arnold, and of course, our humongous annual wall planner (hooray! smell you later, 2020!). then there’s all the rest: a chat with some lovely neighbours who share more than just a fleeting wave, and a guide to taking a roadtrip without blowing the bank or breaking down in the middle of woop woop. we delve into the science behind the feeling of hanger and meet a local lady having fun with eye make-up (spoiler: it involves one of your favourite childhood cereals). you’ll take a trip through some of australia’s raddest art deco pubs, be encouraged to make a mess while making art, and meet a few embroidery whizzes doing their own thing with a needle and thread. plus, there’s all the usual eye-catching visuals and chuckle-inducing real-life musings.
Kunsthaus Bregenz – Peter Fischli
Regular price SFr. 55.50 Save Liquid error (product-template line 127): -Infinity%Questions of what is real and what is a replica, what is explicit and what remains concealed, which Peter Fischli dissects in various media: sculpture, video, photography, and installation probe the essence of the authentic and counterfeit image, laconically appropriating the familiar and alienating it. The exhibition catalogue assembles essays by various authors addressing all the series of works, Thomas D. Trummer expounds on Fischli's invariably humorous way of working, focusing in particular on his concept for the exhibition at Kunsthaus Bregenz. The publication is designed as an artist's book by Peter Fischli himself.
Text: Peter Fischli, Rosa Aiello, Daniel Baumann, Bice Curiger, Eva Fabbris, Arthur Fink, Cara Manes, Mark Godfrey, Valentin Groebner, John Kelsey, Charlotte Matter, Kaspar Müller, Andreas Selg, Thomas D. Trummer Stanislaus von Moos, Katrin Wiethege, Stefan Zweifel
Einband | Kartoniert |
Sprache | Deutsch, English |
Umfang | 464 Seiten |
Gewicht | 1483 g |
Masse | 233 x 204 x 32 mm |
Datum | 05.01.2021 |
Artforum – Vol. 59, No.4
Regular price SFr. 23.90 Save Liquid error (product-template line 127): -Infinity%Canvas – Issue 96
Regular price SFr. 25.00 Sale price SFr. 18.00 Save 28%CANVAS Issue 96
The cover for Canvas Issue 96 "A Year Like No Other" shows Mia and Jun, Allston, Massachusetts, a work from Rania Matar’s Across Windows series of photographic portraits. Created during the coronavirus pandemic, it is part of the exhibition Art in Isolation: Creativity in the Time of COVID-19 at Washington DC’s Middle East Institute. This issue contains a review of that show with the work itself serving as a poignant symbol as we look back on 2020 as a year in which so many of us found ourselves confined, restricted and separated from those we love.
Pressing Matters – Issue 14
Regular price SFr. 22.00 Save Liquid error (product-template line 127): -Infinity%As the new year commences, it’s important to stay hopeful and celebrate new beginnings. Having spent a lot more time in 2020 working from home, the views from our windows have taken on new meanings – making us perhaps a little more receptive to the small moments and subtle changes that make the world go round.
Issue 14 is a celebration of artists digging deep in their everyday lives to keep on creating. Making work that’s borne from a need to stay connected to the things they love – their culture, their love of nature and sometimes their favourite musicians.
Even in these times of rules and restrictions, the spirit of collaboration, community and, above all, ingenuity shine on, proving that printmaking can be a tonic for the soul as well as a treat for the eyes. And boy, are you in for a treat!
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Broccoli – Issue 10
Regular price SFr. 18.00 Save Liquid error (product-template line 127): -Infinity%Broccoli is the international magazine for cannabis lovers.
Created by women who love weed, Broccoli is a magazine presenting a new perspective on cannabis culture. Playful, informed, eclectic, and thoughtful, it encourages the discovery and intelligent appreciation of cannabis through explorations of art, culture, and fashion.
88 pages, perfect bound, printed on premium coated paper.
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