Well before Andy Warhol’s rise to the pinnacle of Pop Art, he created and exhibited seductive drawings celebrating male beauty. Andy Warhol Love, Sex, & Desire: Drawings 1950-1962 features over three hundred drawings rendered primarily in ink on paper portraying young men, many of them nude, some sexually charged, and occasionally adorned with whimsical black hearts and delightful embellishments. They lounge or preen, proud of or even bored by their beauty, while the artist sketches them, rapt. They rarely engage with their keen observer, and likewise Warhol’s focus is on their form, their erotic qualities, and unbridled sexuality. If his subjects are content to revel in their attractiveness, so too is Warhol. His confident hand illustrates a multitude of colorful characters, yet also reveals much about this enigmatic artist.
Warhol was already a booming commercial illustrator when he exhibited studies from this body of work at the Bodley Gallery on New York’s Upper East Side in 1956.He mistakenly saw these illustrations as his way of breaking into the New York art scene, underestimating the pervading homophobia of the time. While he never saw through his plan to publish the drawings as a monograph, he did produce more than a thousand elegant, seemingly effortless drawings from life. This volume finally brings his project to fruition by gathering his most striking images, published here for the first time in a comprehensive book and chosen by the Andy Warhol Foundation for the Visual Arts. Edited and featuring an introduction by the Foundation’s Michael Dayton Hermann, and essays by Warhol biographer Blake Gopnik and art critic Drew Zeiba. The inclusion of poems by James Baldwin, Thom Gunn, Harold Norse, Essex Hemphill and Allen Ginsberg create moments of introspection, which expand on the themes and moods present in the drawings.
In style, the drawings evoke the sketches of Jean Cocteau and even Matisse: highly distilled and sure of line, yet loose. The sly voyeurism, meanwhile, is entirely Warhol’s own, and even the most risqué drawings contain a kind of droll humor—a sense of ironic detachment—that would become a Warhol trademark. His confident hand illustrates a multitude of colorful characters, yet also reveals much about this enigmatic artist.
Michael Dayton Hermann received his MFA from Hunter College where he studied art theory with conceptual artist Robert Morris. In addition to his practice as a multidisciplinary artist, Hermann is the Director of Licensing, Marketing, and Sales at The Andy Warhol Foundation, where he developed notable high-profile Warhol projects including collaborations with Calvin Klein, Dior, Comme des Garçons, Supreme, Absolut, and Perrier. He conceived and edited TASCHEN’s Warhol on Basquiat and has also worked closely with TASCHEN on two publications he conceived: Andy Warhol: Polaroids 1958–1987 and Andy Warhol: Seven Illustrated Books 1952–1959.
Drew Zeiba is associate editor of PIN–UP and a regular contributor to The Architect’s Newspaper. His work has appeared online and in print in publications such as Artforum,Garage, Vulture, Out, Elephant, Flaunt, and Sign Unseenamong others.
Blake Gopnik was the chief arts critic of The Washington Post between 2000-2010 and is a regular contributor to The New York Times. His definitive biography of the artist Warhol was published in 2020. He holds a doctorate from Oxford University.
Andy Warhol. Love, Sex, and Desire. Drawings 1950–1962
First printing of 7,500 numbered copies
Michael Dayton Hermann, Drew Zeiba, Blake Gopnik
Hardcover, 28 x 33.7 cm, 3.19 kg, 392 pages
ISBN 978-3-8365-7447-1 Multilingual Edition: English, French, German
Ey! Boy Collection Vol. 1 No. 5 – Jack Pierson + Baby Roberts
Art, more than anything, opens up the possibility of approaching one’s own sexuality beyond the limits imposed by taboos. Not only does it allow for a risk-free, playful exploration of gender and forbidden desires, but it is unique in capturing its contradictions.
In recent years, a young and active queer photography scene has emerged, helped in large part by social media. Indulging their desire for self-presentation, affirmation, and reflection, many photographers portray male homosexuality in particular as a private idyll. At the same time, they shine a critical light on their own and society’s approach to transsexuality and gender roles and expose the corrupting but also affirmative power of pornography.
Films, series, and mainstream cultural appropriation suggest that society has largely embraced queer lifestyles. However, a number of documentary photographers provide evidence that being gay or lesbian can still lead to marginalization, isolation, stigmatization, and violence in certain countries and communities. Their works also take the regime of sexuality itself into account and show that many bans on same-sex contact have colonial origins.
This carefully researched and richly designed book introduces around 40 contemporary photographic positions, including those of well-established photographers as well as plenty of unknown and less well-known talent.
With texts by Ben Miller from Schwules Museum Berlin.
'Men Photographing Women in the 1970s' by Michael Abramson, 96pp, paperback, pink foil, 175 x 120mm.
Once a month, in 1970s Chicago, men were allowed to take cameras into underground strip clubs. Michael Abramson, a local photographer, thought it would be more revealing to photograph the men photographing the women. Left in a drawer until now, the resulting images are a fascinating, funny and at times unsettling portrayal of the uninhibited male gaze.
Introduced by Midge Wilson.
Michael Abramson (1948-2011) was an American photographer best known for his work documenting the nightlife of black night clubs on the south side of Chicago. His photographs can be found in the permanent collections of many major American institutions including the Smithsonian, the Art Institute of Chicago, the Chicago History Museum, the California Museum of Photography and more.
A unique collection of female erotic photography from world-renowned photographers
A new book from the teNeues/MENDO partnership
A fascinating and fresh contemporary erotic photography collection
This new photo collection captures the erotic body and gaze with as much realism, rather than projection, as possible. The portfolio delights in diversity, from provocative shots to more tender images, united by an artistic quality and flair. Whether refined or candid, posed or unedited, modern or retro, this is a unique celebration of female sexuality and form in the 21st century.
19,5 x 24 cm 224 pp, 130 color photographs Hardover Text: English
In 1998, TASCHEN introduced the world to the masterful art of Touko Laaksonen with The Art of Pleasure. Prior to that, Laaksonen, better known as Tom of Finland, enjoyed an intense cult following in the international gay community but was largely unknown to a broader audience.
In 2009, TASCHEN followed up with the ultimate Tom overview: Tom of Finland XXL, a beautiful big collector’s edition with over 1,000 images, covering six decades of the artist’s career. The work was gathered from collections across the United States and Europe with the help of the Tom of Finland Foundation, featuring many drawings, paintings, and sketches never previously reproduced. Other images had only been seen out of context and were finally presented in the sequential order Tom intended for full artistic appreciation and erotic impact.
The elegant oversized volume showed the full range of Tom’s talent, from sensitive portraits to frank sexual pleasure to tender expressions of love and haunting tributes to young men struck down by AIDS, and was completed by eight commissioned essays on Tom’s social and personal impact by Camille Paglia, John Waters, Armistead Maupin, Todd Oldham, and others, plus a scholarly analysis of individual drawings by art historian Edward Lucie-Smith.
The only thing missing from Tom of Finland XXL was a widely affordable price tag—until now. The new Tom of Finland XXL is still big enough to work your biceps, and includes all of the original content, but costs a fraction of the original price. You’re welcome.
Dian Hanson produced a variety of men’s magazines from 1976 to 2001, including Juggs, Outlaw Biker, and Leg Show, before becoming TASCHEN’s Sexy Book Editor. Her titles include the “body part” series, The Art of Pin-up, Psychedelic Sex, and Ren Hang.
John Waters was born in 1946 in Baltimore, Maryland, and briefly attended New York University. He made his first film, Hag in a Black Leather Jacket, in 1964, and has since directed 17 others, including Pink Flamingos, Polyester, Hairspray, and Pecker. He lives in Baltimore.
Camille Paglia is the author of six books, including her groundbreaking analysis of sexual ambiguity in art and literature, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. Paglia is Professor of Humanities and Media Studies at University of the Arts, Philadelphia, PA, where she lives.
Todd Oldham’s studio is a multifaceted design studio for film, photography, furniture, interior decor, books, and even floral arrangements. He lives in New York City and in eastern Pennsylvania.
Armistead Maupin launched his fictive Tales of the City serial in the San Francisco Chronicle in 1976, later released as a six-volume series of novels, three of which were produced as miniseries for television. He lives in San Francisco.
Edward Lucie-Smith was born in 1933 in Kingston, Jamaica, and schooled at Oxford. He has published over 100 books, including Sexuality in Western Art and Latin American Art of the 20th Century. He lives in London and travels extensively.
'BOY': an anthology of selected commercial ads published in the US Playboy from 1960 to 2003, edited and arranged by author Sarah Vadé. 800 pages of glamour advertising aimed at the 20th century male, patiently converted by a 21st century young woman into a 400 pages publication.
Forget high definition or surround sound, this is how to take your enjoyment of film to the next level!
The Movie Kama Sutra offers creative sex positions – including the ‘Potter’s Wheel’ (Ghost), ‘King of the World’ (Titanic) and, for the more sexually experimental, ‘Cable Drop’ (Mission: Impossible) – inspired by the most erotic moments in cinema history.
In this revealing publication, Mario Testino presents a 50-part series exploring the intersection of art, anatomy, fashion, and eroticism. Coinciding with an exhibition at the Helmut Newton Foundation in Berlin, these works center on the naked body, blurring the line between public and private personas as well as laying Testino’s archive bare with a number of previously unseen photographs.
This magnificent book is the new, expanded, complete edition of Nourmand and Marsh’s cult bestseller, with text by renowned writer Peter Doggett. The 1960s and ’70s were the Golden Age of the X-rated movie. For the first time, these films were shown in mainstream cinemas to a fashionable, young crowd. The “porno chic” movement around films like Deep Throat (1972), The Opening of Misty Beethoven (1976) and Debbie Does Dallas (1978) gave skin flicks an air of credibility that had never existed before. Johnny Carson and Bob Hope talked about Deep Throat on TV, and respected artists became involved in promotional campaigns for adult films.
Of all film genres, the X-rated movie is possibly the one that lends itself best to the use of posters as a promotional medium. Screaming taglines, provocative titles and scantily clad bodies are all elements that can be used to great advantage in poster form. Even though many of the adult movies of the ‘60s and ‘70s have faded into cinematic history, their posters remain an inspiration for graphic designers. And today they are wonderful, joyful period pieces that evoke the temptations and taboos of a bygone age of suspender belts, stockings and eye-popping, gravity-defying brassieres. To quote Steve Frankfurt’s iconic ad campaign for the soft core masterpiece Emmanuelle, “X was never like this.”
The only international collection of Beijing photographer Ren Hang, whose images garnered some 90 shows in his brief six-year career, as well as a mass following online. Vivid and explicit, Hang’s images capture naked subjects outdoors, exposed, erect, and in an entanglement of bodies that put him at the forefront of a gender fluid world and of Chinese artists’ battle for creative freedom.
Circa viertausend Polaroids ersetzen Pierre Keller das Tagebuch von zehn oder fünfzehn Jahren seines Lebens. Sie entstanden im pulsierenden New York der Siebzigerjahre, wo er bis 1983 lebte und arbeitete, auf Reisen in Südamerika und im heimischen Lavaux. Kunstschaffende wie Nan Goldin, Keith Haring, Michel Basquiat und Robert Mapplethorpe waren seine Weggefährten.
Erinnerungen an gemeinsame Erlebnisse, aber auch an die Tode der Menschen in seinen Bildern tauchen die Photographien von Pierre Keller in alle Farben des Regenbogens. Sie zeigen das ganze Spektrum des schwulen Lebens: Braune Haut, milchiges Fleisch, rote Schwänze, blanke Ärsche, weisse Dildos, freche Statements, die neongrüne Heimlichkeit der Bath Houses und Augenblicke nachdenklicher Poesie – zeitweise richtig blue.
Anders als Mapplethorpe arbeitete Pierre Keller nie mit professionellen Photomodellen. Er fotografierte die Männer dort, wohin er ihnen gefolgt war, wohin sie ihm gefolgt waren. Seine SX-70 in der alten US-Armeehose stets bei sich beschreibt Keller das Photographieren als sexuellen Akt. Manchmal ging beides auch Hand in Hand.
Selbstzensur kam nie in Frage, Genuss stand im Vordergrund: Schöne Männer, lukullische Freuden. Sein Blick ist durchaus auch ein kulinarischer. „Antiporno‘, wie Jean Tinguely meinte, den Pierre Keller noch heute bewundert: Bilder für das Kino im Kopf. Doch diese pralle Fülle fand damals keinen Anklang. Photographie war noch nicht Galerienkunst. In My Colorful Lifekommen die Polaroids von Pierre Keller spät zu ihrem verdienten Ruhm.
N° 255 1. Auflage 2018
Künstler: Pierre Keller Mit Texten von: Hans Ulrich Obrist, Stephanie Moisdon Gestaltung: Nicolas Pages & Gilles Gavillet Verlag: Edition Patrick Frey Gebunden, 396 Seiten, 369 Farbabbildungen 29 × 29 cm Sprache: Englisch, Französisch
Walter Pfeiffer ist als Fotograf mittlerweile weltberühmt. Das zeichnerische Werk des Künstlers kennen freilich nur wenige, dabei begann Pfeiffer seine künstlerische Laufbahn als Zeichner. Das Buch bietet einen überfälligen Überblick über sein zeichnerisches Schaffen, das in einem reichen Dialog mit seinen fotografischen Arbeiten steht. In den frühen 1970er-Jahren schuf Pfeiffer grossformatige, hyperrealistische Bleistiftzeichnungen, die auch Ausgangspunkt seines fotografischen Schaffens waren, da er dafür Vorlagen brauchte. In diesem Stil entstanden freie Arbeiten, aber auch Pfeiffers legendäre Poster für das Zürcher Filmpodium, Zeitschriftenillustrationen und Auftragsportraits. Ab den 1980ern und vor allem in den 90er-Jahren, als Pfeiffer vorübergehend das Fotografieren aufgab, folgten Zeichnungen in Tusche, Farbstift und Wasserfarben, in denen das elegante, freie Spiel der Linien und Farben in den Vordergrund tritt – intime Portraits von schönen Jungs und engen Freundinnen, Stillleben und Blumenbilder. Sie sind geprägt von Heiterkeit und wacher Sinnlichkeit, sicherem Strich und dem Oszillieren zwischen zeichnerischer Reduktion und der Lust an ornamentaler Fülle. Das Buch ist kein konventioneller Werkschau-Band, sondern ein eigenständiges Künstlerbuch, das den Zeichnungen ihre Lebendigkeit und die Betrachter einen neuen Walter Pfeiffer entdecken lässt.
2. Auflage 2019 Künstler Walter Pfeiffer Mit Texten von Martin Jaeggi Gestaltung Marietta Eugster Gebunden, 492 Seiten, 380 Farbabbildungen 22.7 × 32 cm Sprache: Englisch
Jeremy Kost is a photographer celebrated for his tireless chronicling of gender and sexuality. Isolated But Not Alone is his first monograph dedicated to images of men since 2014. While Jeremy has attracted an audience of close to half a million followers to his Instagram account in that time, exhibitions and books are the only way to view his uncensored art work in it’s full glory.
Jeremy Kost is a photographer celebrated for his tireless chronicling of gender and sexuality. Isolated But Not Alone is his first monograph dedicated to images of men since 2014. While Jeremy has attracted an audience of close to half a million followers to his Instagram account in that time, exhibitions and books are the only way to view his uncensored art work in it’s full glory.Contrast is distilled. The paint acts as a high-contrast punch against the muted and dreamlike tone of the original Polaroid.
The work is in part a result of a fascination and experiment with color theory, reflected in the tone, light, and contrast of the paint in relation to the images. It also calls to mind the artistic debate of figure and ground—the landscape is almost an equal partner in Kost’s work. Rather than disguise or obscure, paint brings both the figure and landscape of the original image into sharper relief, while repeating the conversation of figure/ground again with paint to Polaroid.
Whether staring back at the camera or captured at a distance, the men in Kost’s work exude a true sense of intimacy. They offer a canvas for our own projections and fantasies. The paint fractures the image, almost puncturing a reverie, reminding us of the vulnerability of that moment and inviting us in while also keeping us at a distance.
In addition, the book contains a new poem by actor/poet Nico Tortorella and a conversation with Drew Sawyer, photo curator at the Brooklyn Museum. Isolated But Not Alone is an essential collectible for fans of Kost’s work and an illuminating introduction to his work for new audiences.
Self Published, 2018 12" x 10" 216 Pages 200 Images First Edition of 1500 Copies
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